Scientific and theoretical basis for the study of creativity of R. Kirichenko
Abstract
The purpose of the article is to elucidate the scientific and theoretical bases for the study of the work of the outstanding Ukrainian singer Raisa Afanasiyevna Kirichenko. The methodology of the work is based on the application of an integrated approach, which allowed to form a holistic view of the state of scientific development of
- Kirichenko's solo folk song-singing problem, viewed from the point of view of her style characteristic, as well as the source basis of this research. The scientific novelty of this work lies in the thorough and comprehensive clarification of the scientific and theoretical bases for the study of the works of the outstanding Ukrainian singer Raisa Afanasiyevna Kirichenko. Conclusions. The carried out analysis of the scientific and theoretical bases of this research gives grounds to state the absence of scientific research on the complex analysis of R. Kirichenko's creativity and her role in Ukrainian musical culture of the 20th century. In addition, scientific publications are somewhat one-sided – revealing one aspect of the singer's creative heritage, researchers avoid the systematic scientific analysis of her creative manner, the features of the repertoire-genre and thematic-palette, the architectonics of singing songs, the selection of the repertoire, the singer's relationship with the song text , specifics of ethno-identity of the performer, etc. This actualizes the need for a thorough and comprehensive study of the creative personality of the outstanding Ukrainian singer Raisa Kirichenko.
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2021-07-07
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