FORMATION OF THE CULTURE OF ORCHESTRAL PERFORMANCE ON FOLK INSTRUMENTS: THE EXPERIENCE OF GLINKA DNIPROPETROVSK ACADEMY OF MUSIC
DOI:
https://doi.org/10.32461/149449Keywords:
orchestral performance, orchestral class, the orchestra of folk instruments, M. Glinka Dnipropetrovsk Academy of MusicAbstract
The purpose of the article to characterize the specifics of the professional training of the artists of the orchestra of folk instruments, formed on the department of Folk Instruments of M. Glinka Dnipropetrovsk Academy of Music, in the historical aspect. Methodology is based on the cultural-artistic approach and historical, comparative, descriptive-analytical methods that allow to consider the evolution of orchestral forms of performing on folk instruments in the city of Dnipro and the influence of concert and festival events on the dynamic of the educational process. Scientific Novelty. First in the history of Ukrainian musicology is considered the orchestral practice of performing on folk instruments of the Dnipropetrovsk region. Conclusions. Traditions of professional training of orchestrates at the Department of Folk Instruments of M. Glinka Dnipropetrovsk Academy of Music was formed for 70 years. The specifics of this process are determined by the coexistence of the three teams, their complete set and unique concert practice, which is realized during the international festival “Music without limits”.
References
Академічне мистецтво оркестрів народних інструментів і капел бандуристів спеціальних музичних вузів України: тези Всеукраїнської наук.-теорет. конф. (Київ, 2 грудня 2005 р.) / [ред.-упор. М. Давидов]. Київ, 2005. 104 с.
Дніпропетровська консерваторія ім. М. Глінки (1898-2008) [нариси] / під заг. ред. Т. Медведнікової. Дніпро: АРТ-ПРЕС, 2008. 208 с.
Лошков Ю.І. Творчість В.А. Комаренка і народно-інструментальне виконавство в Слобідській Україні (перша половина XX століття): дис... канд. мистецтвознавства: 17.00.01 / Харківська держ. академія культури. Харків, 2000. 205 с.
Сідлецька Т. Практична культурологія. Історія народно-оркестрового виконавства України: підручник. URL: http://posibnyky.vntu.edu.ua/narodniy_rkestr/rozd1.html
Стельмащук З. М. Творча діяльність народно-інструментальних оркестрових колективів Тернопільщини другої половини ХХ – початку ХХІ століття. Наукові записки Тернопільського національного педагогічного університету імені Володимира Гнатюка. Сер. Мистецтвознавство. 2014. № 2. С. 50-57. URL: http://nbuv.gov.ua/UJRN/NZTNPUm_2014_2_10.
The International festival of music art «Music without limits». URL: http://mwlfestival. com/#tabs|Soloists:conductors
Davidov, M. (Eds.). (2005). Academic art of orchestras of folk instruments and choral bandurists of special music universities of Ukraine. Proceedings of the All-Ukrainian Scientific and Theoretical Conference. Kyiv: Znannia [in Ukrainian].
Medvednikova, T. (Eds.). (2008). Dnipropetrovsk Conservatory M. Glinka (1898-2008) [sketches]. Dnipropetrovsk: ART PRESS [in Ukrainian].
Loshkov, Yu. I. (2000). V.A.Komarenko's creative work and folk-instrumental performances in Sloboda Ukraine (first half of XX century). Candidate’s thesis. Kharkiv: Academy of Culture [in Ukrainian].
Sidletska, T. (n. d.). Practical сultural studies. History of folk-orchestral performance of Ukraine. Retrieved from http://posibnyky.vntu.edu.ua/narodniy_rkestr/rozd1.html [in Ukrainian].
Stelmashchuk, Z.M. (2014). Creative activity of folk-instrumental orchestral teams of Ternopil region of the second half of the XXth – beginning of the XXI century. Scientific notes of Ternopil National Pedagogical University named after Volodymyr Hnatyuk. Series: Art Studies, 2, 50-57 Retrieved from http://nbuv.gov.ua/UJRN/NZTNPUm_2014_2_10.
The International festival of music art «Music without limits». Retrieved from http://mwlfestival.com/#tabs|Soloists:conductors [in Ukrainian].
Downloads
Issue
Section
License
Copyright (c) 2018 Nataliya Bashmakova, Victoria Kikas, Yuriy Fedotov
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
