BANDURA REPERTOIRE AS A FACTOR IN THE DEVELOPMENT OF CONCERT PERFORMANCES
DOI:
https://doi.org/10.32461/149735Keywords:
bandura, concert performance, instrumental works, repertoire, genreAbstract
Purpose of the article is to consider the upgrade process bandura repertoire of instrumental works as a critical factor in the formation and evolution of concert performance. The methodology is to apply the general principle of objectivity of scientific, historical, logical, and analytical methods in the study of cultural factors that conditioned the introduction of bandura repertoire of classical instrumental works that contributed to the development of concert performance towards connection of bandura with the academic environment. The scientific novelty lies in discovering musical features of text-selection for bandura repertoire that helped to shape the classical repertoire of the bandura, increasing thereby the level of instrument performance skills in the context of a definite art form as a complete artistic and aesthetic phenomenon of music. Conclusions. The result of the study summarized that due to the renovation of the tool becomes possible to expand the genre range (sonatas, suites, fantasy, Rondo, concert plays, concerts), technical means performance, combining national folk motifs with academic traditions. The role of artists-artists in the development of concert bandura performance is emphasized. The main groups of works of each genre for bandura performance in combination with other instruments are described.
References
Давидов М. Історія виконавства на народних інструментах (Українська академічна школа): підручник. Київ: НМАУ ім. П. І. Чайковського, 2010. 592 с.
Дмитрук І. І. Жанр перекладу та його різновиди в сучасному бандурному мистецтві: автореф. дис... канд. мистецтвознава.: 17.00.03; Львів. нац. муз. акад. ім. М. В. Лисенка. Львів, 2009. 19 с.
Кушнір О. Сюїта у бандурному доробку українських композиторів сучасності. Проблеми сучасної педагогічної освіти. Сер.: Педагогіка і психологія: Зб. статей: Вип. 2. Ялта: РВВ РВНЗ КГУ, 2009. С. 141-150.
Морозевич Н. В. Бандурне мистецтво як культурне надбання сучасності: автореф. дис... канд. мистецтвознавства: 17.00.03; Одес. держ. муз. акад. ім. А. В. Нежданової. Одеса, 2003. 16 с.
Муха А. І. Композитори України та української діаспори: довідник. Київ: Музична Україна, 2004. 352 с.
Ніколенко О.І. Оригінальна інструментальна бандурна творчість в аспекті жанрово-стильової еволюції: автореф. дис. ... канд. Мистецтво знав.: 17.00.03; Львів. нац. муз. акад. ім. М.В. Лисенка. Львів, 2011. 16 с.
Олексієнко О.В. Творчість Миколи Дремлюги і процес становлення бандурного репертуару: Автореф. дис... канд. мистецтвознав.: 17.00.03; Нац. муз. акад. України ім. П.І.Чайковського. Київ, 2003. 16 с.
Панасюк І. В. Творча діяльність С. В. Баштана в контексті становлення київської школи академічного бандурного виконавства: автореф. дис... канд. мистецтвознав.: 17.00.03; Нац. муз. акад. України ім. П. І. Чайковського. Київ, 2008. 16 с.
Творчий доробок українських композиторів і музикознавців. 1999-2004: Каталог-довідник. Київ, 2005. 230 с.
Хоткевич Г. Бандура і її можливості. Харків: Глас-Майдан, 2007. 92 с/
Davydov, M. (2010). History of Performing Arts in Folk Instruments (Ukrainian Academic School). Kyiv: NMAU im. P. I. Chaikovskoho [in Ukrainian].
Dmytruk, I. I. (2009). The genre of translation and its varieties in modern bandura art. Extended abstract of candidate’s thesis. Lviv. [in Ukrainian].
Kushnir, O. (2009). Suite in the bandura of the Ukrainian composers of our time. Problemy suchasnoi pedahohichnoi osvity. Ser.: Pedahohika i psykholohiia. Yalta: RVV RVNZ KHU [in Ukrainian].
Morozevich, N.V. (2003). Bandura art as a cultural heritage of our time. Odesa [in Ukrainian].
Mukha, A.I. (2004). Composers of Ukraine and the Ukrainian Diaspora. Kyiv: Muzychna Ukraina [in Ukrainian].
Nikolenko, O.I. (2011). Original instrumental bandura creativity in the aspect of genre-style evolution. Extended abstract of candidate’s thesis. Lviv [in Ukrainian].
Oleksiyenko, O.V. (2003). Mykola Dremlyuga's creativity and the process of becoming a bandura repertoire. Extended abstract of candidate’s thesis. Kyiv [in Ukrainian].
Panasyuk, I.V. (2008). The creative activity of SV Bashtanka in the context of the formation of the Kyiv Academy of Bandura Performing Arts. Kyiv [in Ukrainian].
Creative achievements of Ukrainian composers and musicologists. 1999-2004 (2005). Kyiv [in Ukrainian].
Hotkevich, G. (2007). Bandura and her possibilities. Kharkiv: Glas-Maidan [in Ukrainian].
Downloads
Issue
Section
License
Copyright (c) 2018 Natalia Chabanenko
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
