The golden cross-section phenomenon in the processing and arrangements of Stanislav Pavlyuchenko

Abstract

Purpose of Article. Scientific observations by historians, philosophers and art critics testify that humankind has been staying for a long time in the permanent endless state of the search for certain ideal and harmonic balanced form in the outer nature space. Music is the best matter for studying a golden cross-section phenomenon. A dimension of music is the most straightforward building element being known to humankind for making whatever construction of different forms. It is a most flexible and as a result of cover lacking is amenable to any changes without exerting any resistance. The methodology of the research is based on the application of universal scientific methods, in particular: historical, chronological, approach of structural and computational analysis, systematization, and generalization. Scientific Novelty. The data of the research indirectly indicate that a model of the embodiment of the perfect concept of the golden cross-section which corresponds to its most harmonized symmetrical parameter is presented in the above-mentioned works. It can be argued that this area of the research makes it possible to expand original facets of Stanislav Pavlyuchenko’s artistic phenomenon and reveal a unique "algorithm" of his creative actualization. The research once again provides the necessity of considering other arrangements and processing’s of the master from the mentioned point of view. Conclusions. Music works may be used for the best-arranged researches of golden cross-section phenomenon regularity as well as to reveal conditions of its occurrence. In turn, it provides a curious mind with a possibility of so-called domestication of this phenomenon and putting it in service to a man not relying on occasion but consciously programming it availability in art, architecture or some other kinds of man activity.