PIONEERING APPROACH TO THE SCREEN VERSION OF «CHASING TWO HARES» PLAY

Authors

  • Aleksandr Pryadko
  • Nikolai Gontharenko

DOI:

https://doi.org/10.32461/149868

Keywords:

theater, play, film, filming, light, director of photography, camera

Abstract

Purpose of Article. Research and analysis of the pioneering embodiment of the visual and plastic decision in the process of creating the film “Chasing Two Hares”. Methodology. Research methodology is based on general scientific principles of objectivity, structural-functional and analytical methods in the analysis of theoretical works and figurative art direction and visual decisions of films. The scientific novelty of the research is to analyze the main components of filming technology of the story, to solve the problems of creating a stylized image in the adaptation of dramatic plays on the example of "Chasing Two Hares". Conclusions. To create such a masterpiece like "Chasing Two Hares" film, to reproduce the reality of the events of the play director of photography has to solve the following challenges like reproduction of artistically true atmosphere on the screen where events are taking place, providing an exact portrait characteristic to the main and secondary characters of the film story, creating a real sense of different dimensional and temporal feel for a viewer, and also correct application of motion picture dynamization approach.

Author Biographies

Aleksandr Pryadko

PhD, Associate Professor, Kyiv National University of Culture and Arts. Kyiv, Ukraine

Nikolai Gontharenko

Director of Photography, Senior lecturer, Kyiv National
University of Culture and Arts. Kyiv, Ukraine

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