CHORAL ARRANGEMENTS OF UKRAINIAN FOLK SONGS BY ALEXANDER YAKOVCHUK: THE LEVEL OF THE NATIONAL GENETIC MENTALITY

Authors

  • Alexander Yakovchuk

DOI:

https://doi.org/10.32461/149902

Keywords:

choral arrangements of Ukrainian folk songs, A. Yakovchuk

Abstract

The purpose of the article. The article is devoted to the genre of choral arrangements of Ukrainian folk songs and reflection of the national mentality of Ukrainians in music folklore. It is emphasized the importance of professional composers work in this field as well as the particular role of choral arrangements of folk songs in preserving the national originality of Ukrainian music, which has not only cultural but also the political significance for the processes of Ukraine state-building. The methodology of the research is to apply the source-study method – in the study of musicology literature, the textual approach – when considering various musical samples. The scientific novelty of the research is in the analysis of the Ukrainian folk songs on the material of the collection «Ukrainian folk songs for the male choir a cappella arranged by Alexander Yakovchuk» (K., 2016). The article deals with song arrangements of the calendar ritual cycle, most of which were recorded by the composer in his folklore expeditions. The first group of this arrangements consists of the winter period songs – carols and shchedrivki, filled with joyful expectations of the Nativity of Christ. The second group includes of the spring cycle songs bearing the spirit of the renewed nature after the winter sleep. The collection presents the Kupala songs genre related to the day of the summer solstice, known as Ivan Kupala’s feast. For the first time, the arrangements of chumak songs, which are considered to be a unique phenomenon of Ukrainian folklore, has been published. Conclusions. Ukrainian folk-song creativity reveals all the qualities of the Ukrainian nature – their peace-loving, heart-warming, lyrical souls at the Level of the National Genetic Mentality. The mentioned issue is felt in the musical folklore, in its colorful intonational dictionary, in its genre variety of the calendar ritual cycle songs: carols, shchedrivkas, spring songs as well as Kupala songs.

Author Biography

Alexander Yakovchuk

Honored artist of Ukraine, member of Ukrainian Composer’s Union, Assistant Professor, Composition and Information Technologies Department, National Music Academy
named after Tchaikovsky

References

Василь Барвінський і сучасна українська музична культура / упоряд.: В. Грабовський, Л. Філоненко, О. Німилович. Дрогобич: РВВ ДДПУ ім. І. Франка, 2012. 327 с.

Горбатенко Г. Л. Хорові твори сучасних українських композиторів Київської школи для жіночого хору: навч.-метод. посібник. Київ – Дрогобич: Посвіт, 2015. 183 с.

Єфремова Л. Колядки. Українська музична енциклопедія / за ред. Г. А. Скрипник. Київ: ІМФЕ, 2008. Т. 2. С. 511.

Іваницький А. Музичний склад чумацьких пісень. Чумацькі пісні: зб. наук. праць / упор. О. Дей, А. Ясенчук, А. Іваницький. Київ: Наукова думка, 1976. С. 46–57.

Калуцка Н., Пархоменко Л. Олександр Кошиць: мистецька діяльність у контексті музики ХХ сторіччя. Київ: Фенікс, 2012. 416 с., іл.

Коновалова І. Феноменологія музичної обробки (на матеріалі хорових творів українських композиторів ХІХ – ХХ ст.): автореф. дис. на здобуття наук. ступеня канд. мистецтвознавства: 17.00.01. Харків, 2007. 19 с.

Кривицька Т. Різдвяна тема в українській хоровій та сценічній музиці періоду Незалежності: автореф. дис. на здобуття наук. ступеня канд. мистецтвознавства: 17.00.03. Одеса, 2008. 18 с.

Лащенко А. З історії київської хорової школи: монографія. Київ: Музична Україна, 2007. 197 с.

Пархоменко Л. Хорові обробки народних пісень. Історія української музики у 6 т./ гол. ред. М .М. Гордійчук. Київ: Наукова думка, 1990. Т. 3. С. 53-87.

Фільц Б. Обробки народних пісень для хору. Історія української музики у 6 т./ гол. ред. М. М. Гордійчук. Київ: Наукова думка, 1992. Т. 4. С. 78-104.

V. Hrabovskyi, L. Filonenko, O. Nimylovych (Eds.). (2012). Vasyl Barvinskyi and contemporary Ukrainian music culture. Drohobych: RVV DDPY named after I. Franko [in Ukrainian].

Horbatenko, H. (2015). Choral compositions of modern Ukrainian сomposers of Kyiv School written for a women’s choir. Kyiv – Drohobych: Posvit [in Ukrainian].

Yefremova, L. (2008). Carols. Ukrainian Music Encyclopedia. (Vols. 2), (p. 511). Kyiv: IMFE [in Ukrainian].

Ivanytskyi, A. (1976). Musical composition of chumak songs: Chumak songs: the collection of scientific works; compilers O. Dei, A. Yasenchuk, A. Ivanytskyi, (pp. 46-57). Kyiv: Naukova dumka [in Ukrainian].

Kalutska, N., Parkhomenko L. (2012). Oleksandr Koshyts: Artistic activity in the context of XX century music. Kyiv: Naukova dumka [in Ukrainian].

Konovalova, I. (2007). Phenomenology of musical arrangement (based on the material of Ukrainian choral works of XIX – XX centuries). Extended abstract of candidate’s thesis. Kharkiv: National University of Arts named after I. P. Kotlyarevsky [in Ukrainian].

Kryvytska, T. (2008). Christmas theme in Ukrainian choral and stage music of the Independence period. Extended abstract of candidate’s thesis. Odessa: National Musical Academy named after A. V. Nezhdanova [in Ukrainian].

Lashchenko, A. (2007). From the history of the Kiev choral school. Kyiv: Muzychna Ukraina [in Ukrainian].

Parkhomenko, L. (1990). Choral arrangements of folk songs. History of Ukrainian music (Vols. 3), (pp. 53-87). Kyiv: Naukova dumka [in Ukrainian].

Filts B. (1992). Arrangements of folk songs for choir. History of Ukrainian music (Vols. 4), (pp. 78–104). Kyiv: Naukova dumka [in Ukrainian].