Specificity of salsa as a choreographic phenomenon in the context of the world socio-cultural space
DOI:
https://doi.org/10.32461/2226-2180.37.2020.221740Keywords:
social dances, show dances, Salsa, choreographic phenomenon, stylistic features, performance technique.Abstract
The purpose of the article is to identify the specifics of Salsa as a complex choreographic phenomenon in the context of the development of social and cultural space and the space of social art of the second half of the 20th and beginning of the 21st centuries; determine the stylistic and technical characteristics of the popular types of Salsa at the present stage of development of social and show dances. Methodology. To achieve the goal, the following scientific knowledge methods were used in the study: the historicism method, which helped to study the features of the formation and origin of Salsa; typological method - to identify factors influencing the formation, development, and transformation of Salsa and determine the features of this process; a method of comparative analysis aimed at identifying common and distinctive elements of popular modern Salsa styles; method of art history analysis - to determine the characteristic stylistic features of Salsa as social and show dance. Scientific novelty. An art study of Salsa as a complex cultural, artistic and social phenomenon was carried out; the process of formation and development of Salsa in historical retrospective is investigated; typical dance movements and Salsa dance figures are analyzed; based on art history analysis, the characteristic stylistic features of Colombian Salsa, Salsa Cassino, Salsa Los Angeles, Salsa Metro, Dominican Salsa, Salsa Freestyle, Salsa Rueda, etc. The practical and theoretical aspects of the activities of the international Salsa festivals are reviewed and characterized. Conclusions. Salsa as a multinational dance and music complex was formed as a result of complex transactions encoded in various styles of dance. Modern Salsa is the result of the development of traditional Latin American genres and their subsequent Americanization. Dance, which is very popular all over the world, is deprived, unlike many ballroom dances, of conditions of strict codification and standardization, open for improvisation, and therefore is constantly evolving, although it is no exception to perform Salsa according to a certain pattern or choreography.References
Platonova, O. A. (2016). Salsa as a phenomenon of Latin American culture. Abstract of the Ph.D. dissertation. Moscow: State Institute of Art Studies of the Ministry of Culture of the Russian Federation [in Russian].
Platonova, O. A. (2017). Dance flashmash as a sociocultural phenomenon: on-screen image and off-screen reality. The science of television, рр. 39-64 [in Russian].
Borland, K. (2009). Embracing difference: Salsa fever in New Jersey. Journal of American Folklore, Issue 122, pp. 466–492 [in English].
Kabir, А. (2011). Salsa/Bhangra: Transnational Rhythm Cultures in Comparative Perspective. Music and Arts in Action, no. 3, рр. 40-54 [in English].
Kabir, A. (2013). The European Salsa Congress Music and Dance in Transnational Circuits. In: A Companion to Diaspora and Transnationalism, pp.263-276. DOI: 10.1002/9781118320792.ch15 [in English].
Manuel, P. (2006) Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press [in English].
Pusnik, M., Sicherl, K. (2010). Relocating and personalizing salsa in Slovenia: to dance is to communicate. Antropological notebook, no. 16(3), рр. 107-123 [in English].
Renta, P. (2004). Salsa dance Latino, a history in motin. Centro journal. Special Issue: Puerto Rican music and dance: reconstructing roots, Vol. 16(2), pp.139-157 [in English].
Rondón, C.M. (1980). El Libro de la Salsa: Crónica de la Música del Caribe Urbano. Caracas, Venezuela: Editorial Arte [in Spanish].
Sloat, S. (2005). Caribbean Dance from Abakuá to Zouk: How Movement Shapes Identity. Gainesville: University Press of Florida. DOI: 10.1002/9781118320792.ch15 [in English].
Waxer, L. (2002) Situating Salsa: Global Markets and Local Meanings in Latin Popular Music. New York, London: Routledge [in English].
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Roman Gritsenyuk
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).