Conference in modern Ukrainian pop music: problems and prospects
DOI:
https://doi.org/10.32461/2226-2180.37.2020.221819Keywords:
conference, presenter, entertainer, specifics of the conference, solo conference, structure of the conference.Abstract
The aim of the work is to determine the features of the conference in modern Ukrainian pop music as an integral part of the performing arts, to outline the elements of the conference, to characterize the features of the structure of the conference components. The research methodology consists in the application of methods that provide analysis, research of the creative work of the entertainer on the script of the variety theatrical form of the concert. The scientific novelty of the study is to expand ideas about the specifics of the work of entertainers in the field of modern Ukrainian pop. Analysis of the development of the art of conference, its structure and characteristics provides an opportunity to understand the features of the profession of entertainer in modern society, as well as to determine the prospects for its development. Conclusions. As a result of the research, it was established that the pop conference is a special genre of performing arts. Given the peculiarities of the art of the conference, it should be noted that in the practice of performing arts, you can learn not only to properly build a cultural and leisure concert program, but also to professionally use a variety of skills and abilities of conferences for their implementation. In the context of this issue, the entertainer is the figure who is to some extent responsible for maintaining the overall temporitum of the spectacle. Appearing on stage between concert numbers, he performs the compensatory, combining and constructive function of the entire variety program.References
Ardov, B. E. (1968). Speaking genres of variety and circus. Moscow: Iskusstvo [in Russian].
Klintin, S. S. (1987). Variety: issues of theory, history and methods. Leningrad: Iskusstvo [in Russian].
Kukuruza, N. V. (2010). Host mastership. Ivano-Frankovsk [in Ukrainian].
Smirnov-Sokolskiy, N. (1976). 45 years on the stage. Moscow: Iskusstvo [in Russian].
Makarov, P. A. (Ed.). (1964). Theater encyclopedia. in 6 Volumes. Vol 3: Ketcher — Nezhdanova. Moscow: Soviet encyclopedia [in Russian].
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Published
2020-12-19
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Сценічне мистецтво
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