Retrospective of Competition and Festival Events and the Emergence of the Musical Olympic Movement in Ukraine in the 20s of the XX century

Abstract

The purpose of the article is to carry out a scientific analysis of works aimed at studying the socio-cultural, organizational, methodological, and musical-creative aspects of the competition-festival movement, as well as individual groups of art history and historical and cultural works devoted to the creative biography and biographies of prominent figures of Ukrainian musical culture, whose initiative and organizational activities led to the emergence of the Olympic musical movement in Ukraine. The methodology consists of the use of source study and historiographic methods in the development of scientific literature, as well as historical-cultural, historical-musicological, comparative-historical, and biographical methods to determine the contribution of Ukrainian composers and outstanding musicians to the development of the competitive and musical Olympic movement in Ukraine. The scientific novelty of the work lies in the implementation of a comprehensive art study of the origin and development trends of the musical Olympic movement in Ukraine. Conclusions. The paper analyzes the research and publications of authors in the field of the competition and festival movement in modern Ukraine, summarizing works on the history of Ukrainian music, which cover the mid-1920s - early 1930s, i.e. the period of the emergence and active development of the musical Olympic movement in Ukraine, the continuity of times from the origins to the revival of the All-Ukrainian Musical Olympiad is shown.