Madrigal base of the lyricism in ukrainian song
DOI:
https://doi.org/10.32461/2226-2180.41.2022.262997Abstract
The purpose given work is a comparison of the historical conditions of the arising the madrigal and Ukrainian songs and the stage of their development at New time with an analysis of significant song samples in named foreshortening. The methodological base of the study emerges from the intonation approach, as he formed in the treatment of Androsova D., Liu Bingjan, Markova O., Muravskaja O., Roschenko O., and other prominent scientists of Ukraine. The base of the exploratory approach considers the methods of analytical, historian-descriptive, hеrmеnеutic-interpretation, and cоmpаrаtive-style, which in complex allow defining the sense historically variable forms in dеtеrminаnt of the contents music-poetical opening. The scientific novelty of the work is defined by independence to theoretical idea of the parallels between-song typology of the Ukraine and Italy, as well as that that for the first time in musicology of Ukraine is considered content-richness and structure Ukrainian song in accepted foreshortening of the parallels with Italian madrigal. Conclusions. The comparison of the historical epochs of the arising the madrigal and Ukrainian songs shows the generality of their development on sacramental headwaters and real contact nation that has conditioned the nature of the manifestation madrigal typology sign in Ukrainian sogs, but at New time prepared discovery in classicist Ukrainian song composition corresponding to signs of the genre-typology structure.
Keywords: madrigal, song, rоmаns, aria, lyricism, a genre in music, music style.
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