No. 7 (2024)

DOI: https://doi.org/10.31318/2786-8877.7.2024

Published: 2024-10-23

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Статті

The Phenomenon of Witold Maliszewski: a View from the 21st Century

Valentyna Nazarenko, Yuri Vilinsky, Olga Volosatykh

15-56
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Children’s Song Folklore of Podillia

Liudmyla Yefremova

57-76
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MATERIALS OF SCIENTIFIC CONFERENCES

The Dumka in the Context of Interslavic Musical Connections

Antonina Azarova

77-81
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Jean-Philippe Rameau and JeanJacques Rousseau: Aesthetic Polarities in the Musical Expression of the Age

Vira Artemieva

82-86
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Genre and Style Dimensions of Oleksandr Honobolin’s Solo Violin Works

Mariia Babii

87-93
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International Poetic Dialogue in Chamber-Vocal Works by the Western Ukrainian Composers in the First Third of the 20th Century

Oksana Bassa

94-98
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Yevhen Milka’s and Boryslav Stronko’s Compositions for Domra Solo (Premieres of 2023)

Svitlana Bilousova

99-104
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The Role of the Musicological Commission of the Shevchenko Scientific Society in the History of the Development of Ukrainian Musicology

Oksana Hnatyshyn

105-110
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The Second Law of Dialectic as a Conceptual Axis of Creativity (Thoughts on the Anniversary Year of Myroslav Skoryk)

Tetiana Husarchuk

111-113
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Herman Zhukovsky. Two Views on the Musical Theatre

Oksana Davydova

114-117
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Preservation of National Musical Culture in Wartime

Romana Dudyk

118-121
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Political Contexts of Scenography in Contemporary Director’s Opera

Adelina Yefimenko

122-128
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Semantemes of Ukrainian Academic Song in the Paradigm of Ethno-national Identity of National Musical Creativity

Tetyana Zadorozna

129-135
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Two Litanies from the 17th Century Suprasl Collection: Textological and Musical Analysis

Olga Zosim

136-142
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Vasyl Vasyliev: Creative Credo of an Artist and Teacher

Petro Ilchenko

143-148
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The Cultural-Creative Activity of Choral Ensembles from Nizhyn in Today’s Ukraine and the International Context

Olena Kavunnyk

149-157
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Source Studies Aspects of the Memoirs about Oleksandr Kozarenko (to Commemorate the 60th Anniversary of His Birth)

Hanna Karas

158-162
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Plastic and Choreographic Visualization of Instrumental Scenes in the Opera Performance

Olena Kasianova

163-166
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The Role of the Conductor in Musik and Educational Activities

Liliia Kachurynets

167-172
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Victor Kaminsky: “The Best Teacher of Artists is Nature”

Luba Kyyanovska

173-179
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Opera Performance as a Phenomenon of the Evolutionary Development of European Musical Culture

Yevdokiia Kolesnyk

180-184
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Contemporary Versions of Works from the Repertoire of Ostap Veresai

Olena Koreniak

185-192
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Ukrainian School Drama of the 17th–18th Centuries: The Issue of Reconstructing the Musical Component

Lidiya Korniy

193-199
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The Festival “Chervona Ruta” as a Factor in the Formation of the Ukrainian Record Label

Denys Kocherzuk

200-205
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Stages of Destiny — Stages of Self-Discovery: Yuriy Fiala is Known Worldwide but Unknown in Ukraine

Valentyna Kuzyk

206-213
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“The Glory of Ukraine Will Rise Among Nations” — the Sacred Essence of the State Anthem of Ukraine

Valentyna Kuzyk

214-221
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Was There a Branch of the Mykola Leontovych Music Society in Hlukhiv?

Anna Myronenko

222-230
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“Brundibar” by Hans Krasa: a Children’s Opera with a Non-Children’s Story

Olena Naumova

231-235
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Arranging and Its Specifics in Working with Students in the General and Specialized Piano Classes

Olena Ponomarenko

236-239
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Music Festivals as a Tool for Territorial Marketing in Modern Italy

Olena Ponomarenko

240-245
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Choral Works by Yuri Ishchenko Features of the Composing Style

Mykola Puchko-Kolesnyk

246-249
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The Creativity of Alisa Kobzar in the Context of Contemporary Culturalart Practices of the 21st Century

Dzvenyslava Safian

250-256
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Director’s Reinterpretation of Gioacchino Rossini’s Opera-Farsa “The Silk Ladder” as a Comedy of Situations

Natalia Simonova

257-261
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The Figure of Volodymyr Kozhukhar as an Example of a Conductor of Personality

Ivan Stetskyi

262-267
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Ukrainian Opera on Historical Themes in Search of New Directorial Interpretation

Iryna Suvorova

268-274
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Musical Ukrainian Studies: Searching for New Paths

Olena Taranchenko

275-278
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Ukrainian Song Repertoire in the Performing Space of Modern China

Ganna Usova

279-283
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About the Prelude and Fugue No. 1 from the Cycle «34 Preludes and Fugues for Piano» by Valentyn Bibik: Stylistic Aspect

Liutsiia Tsyhaniuk

284-290
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Piano Sonatas by Jiang Wenye’s: Stylistic Features

Mengzhao Chen

291-296
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Great in Small: “24 Children’s Pieces for Piano” by Viktor Kosenko in the Mirror of the Era

Kira Shamayeva

297-300
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Children’s and Youth’s Repertoire of Ukraine Musical Theatre: Review of Worldwide and Domestic Trends

Oleksandra Shevelova

301-306
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Lesya Ukrainka’s creativity in Vitaliy Kyreyko’s operas

Iryna Shesterenko

307-311
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About Two Forgotten Anniversaries

Olha Shumilina

312-317
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Costume Design as an Essential Part of Artistic Image Formation in Opera

Serhii Shutko

318-323
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Mythopoetic Nature of Olena Ilnytska’s Piano Nocturnes

Olena Yakymchuk

324-327
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Lyrical Intermezzo op. 44 of Sergei Bortkiewicz. Discovered Manuscript

Temur Yakubov

328-332
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