STYLE TRENDS IN THE WORKS OF MARIS NAZIROV
DOI:
https://doi.org/10.32461/2226-3209.3.2018.171832Keywords:
Tatar poetry, style tendency, motive, poem, self-identification.Abstract
Abstract.This article is devoted to studying style tendencies in Mâris Nazirov's creativity - the bright
representative of a modern Tatar literary galaxy of Bashkortostan. Style tendencies in his creativity were practically not investigated as a complete subsystem. In this key article promotes more correct statement and the solution of some fundamental, national and scientifically significant problems. The relevance of a research is defined by insufficient study of style tendencies in M. Nazirov's poetry and their originalities. During the research it is claimed that in works of the poet synthesis of two style tendencies is observed: increase of interest in socio-political problems, to a subject of fate of the nation; strengthening of the philosophical beginning. At the same time it is proved that typologically similar to the similar phenomena in the Tatar literature style in works of the poet, distinctive features caused by influence of a local cultural substratum and an originality of poetic thinking tend. For our research the hermeneutical approach directing receptive activity of the reader to the analysis of the principles and receptions of the image, determination of typological similarities and an originality of the art search which is coinciding and having differences in different verbal arts is fundamental. Also during the research the method of the comparative and comparative analysis of texts is productively used. In this key style tendencies and their poetic originality in Mâris Nazirov's creativity come to light.
Keywords and phrases: Tatar poetry, style tendency, motive, poem, self-identification.
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