Submissions

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Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
  • Це подання раніше не було опубліковане і не надсилалося до розгляду редакціям інших журналів (або у коментарях для редактора нижче дані необхідні пояснення).
  • Текст відповідає вимогам до стилістики та бібліографії, викладеним у Керівництві для авторів розділу "Про журнал".

Author Guidelines

  1. Deadlines for article submission

    Publication frequency:
    Four times a year (March, June, September, December).

    Article submission deadlines:

    • Issue №1 – by February 15
    • Issue №2 – by May 15
    • Issue №3 – by August 15
    • Issue №4 – by November 15

    To submit a paper for publication, the text must be formatted in accordance with the established requirements.


    Submission mechanism

    Before submitting a paper, please log in to your account or register on the journal’s website.

    Papers can be submitted in two ways:

    The publication of an article is subject to a fee. The terms and amount of the article processing charge (APC) are set out in the section “Information on Payment for Article Processing and Publication.”

    Questions regarding the submission of articles should be addressed to the editorial board via email nauka@nakkkim.edu.ua.


    Terms and Conditions for the Submission and Review of Research Articles

    The journal’s editorial board operates in line with Ukrainian legislation on education, scientific activity and intellectual property, as well as international academic standards.
    Articles in Ukrainian or English of a problem-oriented, generalising or methodological nature are accepted for publication in the journals, provided they correspond to the aims and objectives and constitute original scientific research that has not been published elsewhere.

    By submitting an article to the editorial board, the author warrants that they hold the copyright to the paper and consents to the publication of the text and metadata of the article (including the author’s surname and initials, place of employment, and email address) in both the print and electronic versions of the journal. This entails compliance with the open access policy under the terms of the international Creative Commons Attribution 4.0 International (CC BY 4.0) licence, which permits the free use, distribution and reproduction of materials provided that the author and source of publication are cited.

    Articles are published as co-authored works with no more than three authors.

    By submitting a paper to the editorial board, the author consents to a check of its originality.

    Submission of a paper to the editorial board implies the author’s agreement with the publication ethics and editorial policy of the journal, which complies with COPE recommendations the policy on the use of artificial intelligence and AI-supported technologies.

    All manuscripts undergo a peer-review process.

    An article in which plagiarism from other authors’ works has been detected without reference to the source, or in which the use of generative artificial intelligence (in particular language models) has been established without appropriate disclosure in the text of the paper, will not be returned for revision and will not be published; however, the author may submit other material to the editorial board. In the event of repeated instances of plagiarism, the editorial board reserves the right not to accept any further submissions from this author.

    Citation guidelines:
    - all citations must be accompanied by references to the source;
    - references to textbooks are not recommended;
    - references to personal publications are permitted only where strictly necessary;
    - secondary citations are not permitted;
    - if a reference to a scholar’s surname is made in a literature review or later in the text, their publication must be included in the article’s list of references;

    - citations from sources published in the russian federation and the republic of belarus are not permitted.

    If there are three or more grammatical errors on a page, the text will not be accepted for publication.

    The editorial board organises internal (mandatory) and external (where necessary) peer review of articles. If the author disagrees with the reviewer’s comments, they must justify this in writing. The editorial board retains the right to reject an article if the author unreasonably disregards the recommendations of the editorial board.



    Stages of acceptance of a paper for publication

    Prior to publication, the paper undergoes the following stages of peer review:
    – checking for compliance with editorial formatting requirements in accordance with Ukrainian national standards (DSTU 3008:2015 ‘Information and documentation. Reports in science and technology. Structure and formatting rules’; DSTU 8302:2015 ‘Bibliographic references. General provisions and rules for compilation’; DSTU 3582:2013 ‘Bibliographic description. Abbreviations of words and phrases in the Ukrainian language. General requirements and rules’);
    – checking articles for plagiarism using the StrikePlagiarism system (Articles 1 and 5 of the Law of Ukraine ‘On Scientific and Scientific-Technical Activity’; Article 50 of the Law of Ukraine ‘On Copyright and Related Rights’; paragraph 16 of the ‘Procedure for Awarding Academic Degrees and Conferring the Academic Title of Senior Research Fellow’; Law No. 10392 ‘On Academic Integrity’);

    – the editorial board’s review of articles in accordance with Order No. 1053 of the Ministry of Education and Science of Ukraine dated 22 July 2025 ‘On Amendments to the Procedure for Compiling the List of Scientific Professional Publications of Ukraine’).

Structure and formatting of the article

  1. The article must be formatted using the Microsoft Word for Windows (font: Times New Roman, size 14, line spacing: 1.5). Margins: all sides – 2 cm.
  2. UDC code.
  3. Author details in Ukrainian and English (without abbreviations or acronyms): surname, first name, academic degree, academic title, position, specifying the department and name of the institution where the author is primarily employed.

    Example: Pohrebniak Halyna, Doctor of Arts, Professor, Professor at the Larysa Khorolets Department of Directing and Acting, National Academy of Culture and Arts Management

  4. Author’s digital identifier ORCID in the format: https://orcid.org/0000-0000-0000-0000
  5. Contact information: phone number (not for publication), email address.
  6. Title of the article in Ukrainian and English.
  7. Abstracts and keywords in Ukrainian and English of at least 1800 characters (including spaces). The abstract should be presented in a single paragraph with the following headings, which should be highlighted in bold: Purpose of the work; Methodology; Scientific novelty; Conclusions; Keywords. The abstract and keywords in English are translations of the Ukrainian version.
  8. The main text of the article must contain the following headings, the titles of which are set apart from the paragraph in bold: Relevance of the research topic. Analysis of studies and publications. Purpose of the research. Presentation of the main material. Scientific novelty. Conclusions.
  9. List of references in Ukrainian (in the text of the article, the word ‘References’ should be set in bold) must be formatted in accordance with the requirements of DSTU 8302:2015 ‘Bibliographic references. General provisions and rules for compilation’. References should be listed in their original language in alphabetical order. The list of references must contain relevant domestic and foreign scientific studies. There must be at least one citation in the text for each source in the list of references. Scientific articles in the bibliography must include a link to an active DOI. Abbreviations are formatted in accordance with DSTU 3582:2013 “Bibliographic Description. Abbreviations of Words and Phrases in the Ukrainian Language. General Requirements and Rules”.
    References to literature from the russian federation and the republic of belarus are not permitted.
  10. References (in the Latin alphabet) should be listed as a separate section, mirroring the list of references provided in the national language. They should be formatted in accordance with the APA (American Psychological Association(APA) Style) guidelines).
  11. Article length – up to 13 pages (including abstracts, illustrations, tables, graphs and the reference list). A review or critique – 1–2 pages.
  12. Figures and tables should be placed within the text of the article, centred on the page, without text wrapping around them and without extending beyond the margins. Figures and tables should be captioned and included in the article immediately after the text in which they are first mentioned. Each formula, table, figure and graph in the text must be referenced (e.g.: Fig. 1. Title; Table 2. Title).
  13. References to sources are formatted as follows: [8, 25], where 8 is the source’s serial number in the list and 25 is the page number. References to multiple sources – [8, 25; 4, 67].
  14. Single quotation marks: ‘...’; double quotation marks for a quotation within a quotation: “...”.
  15. Notes are formatted as footnotes and placed after the main text before the list of references. The footnote symbol is an superscript Arabic numeral placed immediately after the word, number, symbol or sentence to which the explanation refers.

EXAMPLE OF ARTICLE FORMATTING

Section: “Musical Arts”

UDC 929:7.071.1:316.74:7(045)

Mykulanynets Lesya,
Ph.D. in Arts, Associate Professor of the Theory and Methods of Music Education Department, Mukachevo State University
https://orcid.org/0000-0002-6346-6532
mikulaninets5@gmail.com

Biography in the aspect of cultural communication of an artist and audience

The purpose of the article is to reveal the communicative potential of the master's biography, to prove its influence on the cultural dialogue between humanity and the achievements of the artist. The research methodology is to apply a number of approaches: analytical – to comprehend the literature on the topic of the article; interdisciplinary - for a comprehensive study of factual material and in obtaining new knowledge; systemic using a whole range of methods (biographical, semiotic, culturological, hermeneutic, historical, theoretical generalization) – comprehending the stated quest, etc. Scientific novelty: for the first time in the national humanities, biography is explained as the way of civilizational contact between the creator and the public, the translator of the most important meanings of the era. Conclusions. The publication states that the artist's biography is an important component of the communicative space of nowadays. It embodies the anthropological dimensions of history, the worldview of the day through the coverage of the hero's life, his significant achievements. The author of the chronicles builds the life strategy of the master in such a way that he becomes clear to the recipients of any period. An analysis of the chronicle reveals the richness of symbolic forms of cultural contact associated with works of art, epoch-making features and social circumstances, and so on. In unity, they affect the perception of the artist's image. This process is carried out by the public as a result of decoding spiritual information in accordance with existing norms, traditions of a particular time, awareness
of the existential and creative experience of the character. Biography as a means of communication demonstrates freedom from ideological, social limitations, as it allows communication of individuals of different eras, removes territorial, speech, social, and others barriers. Due to their ability to embody the universal concepts of civilization, the chronicles express not only the story of the artist, but also allow the modern recipient to express himself. Thus the listener (viewer) through the biography is in contact with the master, his time, humanity.
Keywords: biography, cultural communication, artist, audience, humanities.

Микуланинець Леся Михайлівна, кандидат мистецтвознавства, доцент, доцент кафедри теорії і методики музичної освіти Мукачівського державного університету

Біографія в аспекті культурної комунікації митця і публіки

Мета роботи – виявити комунікативний потенціал біографії майстра, довести її вплив на культурний діалог між людством і здобутками митця. Методологія дослідження полягає в застосуванні низки підходів: аналітичного – для осмислення літератури з теми статті; міждисциплінарного, що дало змогу всебічно вивчити фактологічний матеріал та  отримати обґрунтовані висновки; системного з використання цілого спектру методів (біографічного, семіотичного, культурологічного, герменевтичного, історичного, теоретичного узагальнення) – з метою комплексного осягнення заявленої квестії та ін. Наукова новизна статті полягає в тому, що в ній уперше в національній гуманітаристиці життєпис експлікується способом цивілізаційного контактування творця і публіки, транслятором найважливіших сенсів епохи. Висновки. У публікації доведено твердження: біографія митця – важлива складова комунікативного простору сьогодення. Вона втілює антропологічні виміри історії, світоглядні засади доби через висвітлення буття свого героя, його значущих досягнень. Автор хронік життєву стратегію майстра вибудовує так, щоб він став зрозумілим реципієнтам будь-якого періоду. Аналіз літопису дозволяє виявити багатство символічних форм культурного контактування, пов’язаних з художніми творами, епохальними особливостями, громадськими обставинами тощо. У своїй єдності вони впливають на сприйняття образу митця. Такий процес здійснює публіка внаслідок розкодування духовної інформації, відповідно до наявних норм, традицій конкретного часу, усвідомлення буттєвого та креативного досвіду персонажа. Життєпис як засіб комунікування демонструє свободу від ідеологічної, суспільної обмеженості, оскільки уможливлює спілкування індивідам різних ер, знімає територіальні, мовленнєві, соціальні та ін. бар’єри. Завдяки своїй здатності втілювати універсальні цивілізаційні концепти, хроніки не тільки виражають оповідь про митця, але й дають висловитися сучасному реципієнтові. Отже, слухач (глядач) через біографію контактує з майстром, його часом, людством.
Ключові слова: біографія, культурна комунікація, митець, публіка, гуманітаристика.

<…> Cultural interaction is characterized by duality: on the one hand, it functions according to the spiritual laws of societal development; on the other hand, it possesses a certain independence, determined by the specifics of information transmission. According to O. Zlotnyk, it is conveyed through “the internal dialogue between art (the object) and the recipient (the subject); artistic communication between subjects that arises against the backdrop of (through) art; interaction through art with the socio-cultural space of humanity” [1, 220]. <…>

References

  1. Afonina O. (2025). Chivalric Epic Codes in Music and Ballet Interpretations of ‘Tristan and Isolde’. National Academy of Managerial Staff of Culture and Arts Herald: Science journal, 3, 218–224. DOI: https://doi.org/10.32461/2226-3209.3.2025.344418 [in Ukrainian].

Література

  1. Афоніна О. С. Коди лицарського епосу в музичному мистецтві і балетах «Трістан та Ізольда». Вісник Національної академії керівних кадрів культури і мистецтв : наук. журнал. 2025. № 3. С. 218–224. DOI: https://doi.org/10.32461/2226-3209.3.2025.344418.

 

 

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