Theatricalization of the structures of everyday life in meta-modern cultural practices

Authors

  • Lada Prokopovych Odessa National Polytechnic University, Ukraine
  • Tamara Rozova Odessa National Polytechnic University, Ukraine

DOI:

https://doi.org/10.32461/2226-3209.3.2018.147291

Keywords:

Axiosphere, Cultural Practice, Meta-Modern, Theatricalization, The Structures of Everyday Life.

Abstract

Purpose of the article is to study the theatricalization of the daily life structures that affect the transformation of Meta-Modern cultural practices. Also, it is important to note about the analysis of the scientific approaches of both Ukrainian and foreign researchers concerning the problematic outlined; the revealing of the world outlook basis of the theatricalization in everyday life; the defining of the theatricalization of daily life as one of the essential features of Meta-Modern, which significantly influenced the transformation of the axiosphere of modern European culture. The methodology of the work is based on the dialectical relationship of such research methods as culture-anthropological, which enables to analyze the theatricalization of the structures in everyday life as a condition for the formation of new cultural practices, and communicative, used for a thorough analysis of socio-cultural communication that influences the creation of contemporary Meta-Modern cultural practices. The empirical basis for the study, along with other examples of art, is image jewelry pieces made by one of the authors of this article, Lada Prokopovych. The mentioned idea enables to represent the author's ideas. The scientific novelty of the work is that theatricalization of everyday life is defined as a characteristic of the Meta-Modern, which influences the transformational processes taking place in the values of European culture. Conclusions. The article reveals meta-modern changes in the worldview paradigm, which gradually change the axiosphere of European culture.

Author Biographies

Lada Prokopovych, Odessa National Polytechnic University

Ph.D. of Engineering Sciences, Associate Professor, Cultural and Arts, and Philosophy Studies of Culture Department

Tamara Rozova, Odessa National Polytechnic University

Doctor of Philosophy, Professor, Head of Department of the Cultural and Arts, and Philosophy Studies of Culture

References

Розова, Т.В., Чорна, Л.В. Трансформація аксіосфери та утопія як культурна практика раннього Модерну. Вісник національної академії керівних кадрів культури і мистецтв. Щоквартальний науковий журнал. № 2. 2018. С.32 – 36.

Прокопович, Л.В. Театрализация социокультурной коммуникации: методологическое обоснование исследовательского подхода. ScienceRise. 2017. № 7(36). С. 2932.

Евреинов, Н.Н. Театр как таковой. Одесса: Негоциант, 2003. 45 с.

Гессе, Г. Игра в бисер URL: http://lib.ru/GESSE/biser.txt.

Баканурский, А.Г. Театр как эскейп: исследовательский очерк. Херсон: Гринь Д.С., 2015. 120 с.

Прокопович, Л.В. Исследование театральности как черты коммуникативных функций литературных трикстеров. ScienceRise. 2017. № 10 (39). С. 24-27.

Прокопович, Л.В. Исследование костюмных украшений и аксессуаров как средств коммуникации в политическом «театре». ScienceRise. 2018. № 1. С. 16-19.

Бувалець, О.О. Театральність і театралізація в сучасному культурному дискурсі. Культура України. 2013. Вип. 43. С. 20-23.

Тазетдинова, Р.Р. Театральность как феномен в бытии культуры: дис. …д..филос. наук. Казань, 2013. 419 с.

Прокопович, Л.В. Стимпанк: Трансляция стиля из научной фантастики в дизайнерскую бижутерию. ScienceRise. 2016. № 6/1(23). С. 38-43.

Принцеса Кентська перепросила за свою «расистську» брошку. Українська правда. 23.12.2017. URL: https://tabloid.pravda.com.ua/news/5a3e07c92cf2b.

Timotheus Vermeulen, Robin van der Akker. Notes on metamodernism. Aesthetics&Culture. 2010. Vol.2. P. 114.

Зиммель, Г. Мода. Избранное. Т.2. М.: Юристъ, 1996.

Rozova, T.V., & Chorna, L.V. (2018). Transformation of Axisosphere and Utopia as Culture Practice of Early Modernity. National Academy of Kernels of Culture and Mystats. Squared quarterly journal. № 2. pp. 32 - 36 [in Ukrainian].

Prokopovich, L.V. (2017). The theatricalization of sociocultural communication: a methodological rationale for a research approach. 7 (36). p. 2932 [in Russian].

Evreinoff, N.N. (2003). Theater as such. p. 45 [in Russian].

Hesse, G. (n.d.). Retrieved from: http://lib.ru/GESSE/biser.txt [in Russian].

Bakanursky, A.G. (2015). p. 120 [in Russian].

Prokopovich, L.V. (2017). The study of theatricality as features of the communicative functions of literary tricksters. 10 (39). pp. 24-27 [in Russian].

Prokopovich, L.V. (2018).The study of costume jewelry and accessories as a means of communication in the political "theater". 1. pp. 16-19 [in Russian].

Buvalets, O.O. (2013). Theatricality in the cultural discourse. 43. pp. 20-23 [in Ukrainian].

Tazetdinova, R.R. (2013). Theatricality as a phenomenon in being culture. p. 419 [in Russian].

Prokopovich, L.V. (2016). Steampunk: Broadcasting a style from science fiction to designer jewelry. 6/1 (23). pp. 8-43 [in Russian].

Princess of Kent apologized for her "racist" brooch. (2017) Retrieved from: https://tabloid.pravda.com.ua/news/5a3e07c92cf2b [in Ukrainian].

Timotheus Vermeulen, & Robin van der Akker. (2010). 2. pp. 114 [in English].

Zimmel, G. (1996). 2. [in English].

Published

2018-08-29

Issue

Section

Культурологія