Renaissance villa: leisure practices and cultural consumption
DOI:
https://doi.org/10.32461/2226-3209.1.2018.159737Keywords:
age of Renaissance, otium, villa, humanists, leisure practices, culture.Abstract
Purpose of the article – to determine and justify the specifics of leisure practices on a villa in the age of Renaissance. The methodology is based on the complex using of the method of analysis, synthesis, and generalization that allows characterizing villa as multifunctional; also were used historical and retrospective methods that provided disclosure of leisure practices on the villa regarding historical context. Scientific Novelties. Leisure practices of humanists are implemented on the suburban residence – villa. The ideal model of Renaissance leisure – the "educated" leisure, based not on the social or geographical, but on the spiritual unity; the leisure full of love, music, singing, banquets, high poetry, contemplation of nature beauty, philosophical disputations and talks; the leisure that provides life "without sadness and monotony". "Educated" leisure on villa was the precondition of "academies" development and formation of culture as social and meaningful phenomena. Conclusions. Humanists focused their attention on the intellectual aspect of "otium" (unemployment) full of contemplation of true and scientific works that enriched the inner world of man, strengthened his fortitude and by its content were "work at leisure" (in otio meo negotia). The defense of contemplative life dedicated to private leisure and full of scientific works was accompanied by the justification of expediency of active public position for the benefit of society. The "lazy leisure" of the uneducated majority was opposed to such leisure. Simultaneously, villa became regarded not only as space for relaxing and scientific relaxation but also as the style of life-based on rules directed to achieving of spiritual and moral self-improvement.
References
Альберти Л. Б. О семье // Опыт тысячелетия. Средние века и эпоха Возрождения: Быт, нравы, иде-
алы / [сост. : И. А.Дворецкая и др. ; ред. Е. М. Лазарева]. – М. : Юристъ, 1996. – С. 353–411.
Баткин Л. М. Итальянское Возрождение: проблемы и люди / Л. М. Баткин. – М. : РГГУ, 1995. – 448 с.
Баткин Л. М. Итальянские гуманисты: стиль жизни и стиль мышления / Л. М. Баткин ; отв. ред. проф.
М. В. Алпатов. – М. : Наука, 1978. – 200 с.
Буркгардт Я. Культура Италии в эпоху Возрождения / Яков Буркгардт ; пер. с нем. – Смоленск : Ру-
сич, 2002. – 441 с.
Веселовский А. Н. Вилла Альберти. Новые материалы для характеристики литературного и общес-
твенного перелома в итальянской жизни XIV–XV столетия. – М. : Синодальная типография, 1870. – 399 с.
Горфункель А. Х. Гуманизм и натурфилософия итальянского Возрождения / А. Х. Горфункель. – М. :
Мысль, 1977. – 358 с.
Делюмо Ж. Цивилизация Возрождения / Ж. Делюмо ; пер. с франц. И. Эльфонд. – Екатеринбург : У-
Фактория, 2006. – 720 с.
Игошина Е. П. Проблемы живописной декорации венецианских вилл эпохи Возрождения: вторая
половина 16 в. : дис. … канд. искусствознания : 17.00.04 / Е.П. Игошина. – М., 2005. – 278 с.
Козлова С.И. Итальянские сады эпохи Ренессанса. Структурная организация и семантика : дис. …
д-ра искусствоведения : 17.00.04 / С.И. Козлова. – М., 2011. – 361 с.
Лосев А. Ф. Эстетика Возрождения / А. Ф. Лосев. – М. : Мысль, 1978. – 750 с.
Монье Ф. Опыт литературной истории Италии ХV века. Кваттроченто / Филипп Монье ; пер. К. Шва-
реалон. – СПб. : Изд-во Л. Ф. Пантелеева, 1904. – 592 с.
Музыкальная эстетика западноевропейского средневековья и Возрождения / сост. текстов и общ.
вступ. статья В. П. Шестакова. – М. : Музыка, 1966. – 572 с.
Мурало М. Дворцы Италии. Венето / Микеланджело Мурало. Пер. И. Волков, Е. Игошина,
О.Уварова. –М. : СЛОВО, 2005. – 514 с.
Петрарка Ф. Сочинения философские и полемические / Франческо Петрарка ; пер., коммент., указ.:
Н. И. Девятайкина. – М. : Российская политическая энциклопедия (РОССПЭН), 1998. – 479 с.
Петров М. Итальянская интеллигенция в эпоху Ренессанаса // М. Т. Петров ; под ред. В. И. Рутенбу-
рга.– Л. : Наука, 1982. – 218 с.
Петрова І. Ренесансна концепція дозвілля за творами Петрарки / І. Петрова // Вісник Національної
академії керівних кадрів культури і мистецтв : наук. журнал. – К. : Міленіум, 2017. – №3. – С.3-7.
Сабадаш Ю. С. Гуманізм як феномен італійської культури : монографія / Ю. С. Сабадаш. – К.: ДАКККіМ,
– 361 с.
Сочинения итальянских гуманистов эпохи возрождения (XV век) / под ред. Л. М. Брагиной. – М. :
Изд-во МГУ, 1985. – 384 с.
Тучков И. И. Виллы Рима эпохи Возрождения как образная система: иконология и риторика : дис.…
д-ра искусствоведения : 17.00.04 / И.И. Тучков. – М., 2008. – 1072 с.
Фойгт Г. Возрождение классической древности или первый век гуманизма / Г. Фойгт ; пер. с нем.
И. П. Рассадин. – М. : Типография М. П. Щепкина, 1884. – Т. 1. – 481 с.
Фойгт Г. Возрождение классической древности или первый век гуманизма / Г. Фойгт ; пер. с нем.
И. П. Рассадин. – М. : Типография М. П. Щепкина, 1885. – Т. 2. – 542 с.
Alberti, L. B. (1996). About family. In L. B. Alberti, Experience of millennium. Middle Ages and Renaissance: daily life, manners, ideals (pp. 353-411). Moscow: Yurist : [in Russian].
Batkin, L. M. (1995). Renaissance in Italy: problems and people. Moscow: RGGU: [in Russian].
Batkin, L. M. (1978). Italian humanists: style of life and thinking. Moscow: Nauka: [in Russian].
Burkgardt, Y. (2002). Italian culture at the age of Renaissance. Smolensk: Rusich: [in Russian].
Veselovskiy, A. N. (1870). Alberti villa. The new materials for characteristic of literary and common fracture in Italian life in 14-15th century. Moscow: Synodal typography: [in Russian].
Gorfunkel, A. K. (1977). Humanism and physiophilosophy of Renaissance in Italy. Moscow: Mysl [in Russian].
Delyumo, Z. (2006). Civilizatio of Renaissance. Yekaterinburg: U-Faktoriya.: [in Russian].
Igoshina, E. P. (2005). The problems of pictorial decor of Venetian villas at the age of Renaissance: second half of the 16th century (Doctoral dissertation). Moscow: [in Russian].
Kozlova, S. I. (2011). Italian gardens of Renaissance. Structural organization and semantics (Doctoral dissertation). Moscow: [in Russian].
Losev, A. F. (1978). Aesthetics of Renaissance. Moscow: Mysl.: [in Russian].
Mone, F. (1904). Experience of Italian literary history in 15th century. St. Petersburg: L. F. Panteleev publishing house: [in Russian].
Shestakova, V. P. (1966). Musical aesthetics of West European Middle Ages and Renaissance. Moscow: Muzyka: [in Russian].
Muralo, M. (2005). Palaces of Italy. Veneto. Moscow: SLOVO.
Petrarka, F. (1998). Philosophical and polemical compositions. Moscow: Russian political encyclopedia (ROSSPEN): [in Russian].
Petrov, M. (1982). Italian intelligentsia in Renaissance. Lvov: Nauka: [in Russian].
Petrova, I. (2017). The Renaissance leisure conception through the works of Petrarch. Bulletin of National Academy of Government Managerial Staff of Culture and Arts: scientific journal, №3, 3-7. [in Ukrainian].
Sabadash, I. S. (2008). Humanism as phenomena of Italian culture: monograph. Kyiv: DAKKKiM. [in Ukrainian].
Bragina, L. M. (Eds.). (1985). Compositions of Italian humanists of Renaissance (15th century). Moscow: Publishing house of Moscow State University: [in Russian].
Tuchkov, I. I. (2008). Roman villas of Renaissance as descriptive system: iconology, rhetoric (Doctoral dissertation). Moscow: [in Russian].
Foygt, G. (1884). Regeneration of classic antiquity or first age of humanism. T. 1. Moscow: M. P. Shchepkin typography: [in Russian].
Foygt, G. (1885). Regeneration of classic antiquity or first age of humanism. T. 2. Moscow: M. P. Shchepkin typography: [in Russian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).