THE FINAL STAGE OF RESEARCH AND EDUCATIONAL ACTIVITY OF G.O. AVENARIUS IN THE FIELD OF CINEMATOGRAPHY
DOI:
https://doi.org/10.32461/2226-3209.1.2018.160037Keywords:
Georgii Avenarius, “Bili stovpy”, All-Soviet (Higher) State Institute of Cinematography, Acting School under the Film Studio.Abstract
The purpose of the work is to study thoroughly the final stage of research and educational activity in the field of cinematography of G.O. Avenarius, a genius Ukrainian film expert and one of the first national screen arts educators. Research methodology consists in application of methods of personology, theory of personality and historical-biographic method. The marked methodological approaches allow collecting and investigating unknown and not popular facts from the life, research and academic career in the field on cinematography of G.O. Avenarius. The scientific novelty of the work is predefined by the necessity to study unknown pages of history of Ukrainian cinema and its figures, which for one reason or another remained out of eyeshot of home art critics. Conclusions. To summarize the above, we can state, that the research objectives have been achieved, namely the final stage of the research and educational activity in the field on cinematography of G.O. Avenarius, an outstanding Ukrainian film expert, one of the pioneering Ukrainian tutors in screen arts, PhD in Art History and the founder of “Bili Stovpy”, the main Film Fund of the Soviet Union, has been thoroughly investigated; his principal research works on history and theory of cinematography of this period of his life have been listed; his track record of pedagogical activities in the field of cinematography at the Higher State Institute of Cinematography, All-Soviet State Institute of Cinematography (VGIK) and Acting School under the Film Studio has been restored.
References
Авенариус Г. Курс фильмографии / Г. А. Авенариус // Киноведческие записки. – 2008. – № 86. – С. 59–63.
Авенариус Г. Рене Клер. Истоки творчества режиссёра / Г. А. Авенариус // Французское киноискусство
сборник статей. – М. : Искусство, 1960. – С. 236–291.
Авенариус Г. А. Чарльз Спенсер Чаплин : очерк раннего периода творчества / Г. А. Авенариус. – М. : Изд-во Акад. наук СССР, 1960. – 264 с.
Безручко О. Кінопедагогічна і наукова діяльність Г.О. Авенаріуса в Одесі та Києві / О. В. Безручко // На-уковий вісник Київського національного університету театру, кіно і телебачення імені І. К. Карпенка-Карого: зб.наук. пр. – К. : Освіта України, 2014. – Вип. 15. – С. 106–111.
Ґосейко Л. Історія українського кінематографа, 1896–1995 / Л. Ґосейко ; [пер. з фр.: С. Довганюк, Л. Ґосейко]. – К. : Kino-Коло, 2005. – 461 с. : іл.
Зубавіна І. Мистецтво любити кіно / І. Б. Зубавіна // Кіно-театр. – 2008. – № 3. – С. 47.
Ілляшенко В. Історія українського кіномистецтва [1893–2003] / Василь Ілляшенко. – К. : Вік, 2004. – 412 с. : фотоіл.
Мусієнко О.С. Українське кіно: тексти і контекст / О. С. Мусієнко. – Вінниця : Глобус-Прес, 2009. – 432 с.
Особова справа Г. Авенаріуса // Архів Всеросійського державного університету кінематографії ім. С.А. Герасимова. – Ф. 1. – Оп. 24. – Спр. 4.
Фількевич М. Довженківці: сторінки нашої історії : [історія створення та діяльн. Київ. кіноф-ки] / М. О. Фількевич ; [авт.-упоряд.: Галина Фількевич, Георгій Фількевич]. – 2-ге вид., допов. – К., 2006. – 178 с. : фотоіл.
Фількевич М. Сторінки нашої історії / М. О. Фількевич ; [упоряд.: Галина Фількевич, Георгій Фількевич]. –К., 2003. – 188 с. : фотоіл.
Avenarius, G. (2008). Course of filmography. Cinematology messages. (issue. 86), (pp. 59–63). [in Russian].
Avenarius, G. (1960). Rene Claire. Sources of the film director’s creativity. French Cinema Art: collection of articles. (pp. 236-291). Moscow: Art. [in Russian].
Avenarius, G. (1960). Charles Spencer Chaplin: the essay of early period of creativity. (pp. 264). Moscow: Publishing of Academy of the Science of USSR. [in Russian].
Bezruchko, O. (2014). Сinemapedagogical and scientific activity of G.O. Avenarius in Odesa and Kyiv. Announcer of the Kyiv National I.K. Karpenko-Kary Theatre, Cinema and Television University: collection of scientific articles. (Issue. 15), (pp. 106–111). Kyiv: Education of Ukraine. [in Ukrainian].
Goseyko, L. (2005). History of Ukrainian cinema, 1896–1995. [Trans from fr.: S. Dovganyk, L. Goseyko]. (pp. 461). Kyiv: Kino-Коlо. [in Ukrainian].
Zubavina, I (2008). The art to love cinema. Cinema-theatre, № 3, 47. [in Ukrainian].
Illashenko, V.V. (2004). History of the Ukrainian cinematographic art [1893–2003]. (pp. 412). Kyiv: Age [in
Ukrainian].
Мoussienko, O.S. (2009). Ukrainian cinema: text and context. (pp. 432). Vinnytsya: Globe-press. [in Ukrainian].
The personal file of “Georgii (Yuriy) Oleksandrovich Avenarius”, (1936 –1958). Archive of the All-Russian State University of Cinematography named after S.A. Gerasimov. (F. 1), (Оp. 24), (Spr. 4). [in Russian].
Filkevich, М. (2006). Dovzhenkivci: pages of our history: [history of creation and activity of the Kyiv film studios]; [arrangement: Halyna Filkevich, Heorhij Filkevich]. (pp. 178). Kyiv: N.p. [in Ukrainian].
Filkevich, М. (2003). Pages of our history [arrangement: Halyna Filkevich, Heorhij Filkevich]. (pp. 188). Kyiv: N.p. [in Ukrainian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
