ABOUT THE COMPOSITIONAL PECULIARITIES OF THE SECULAR MINIATURES IN VOLODYMYR ZYBITSKYI’S CHORAL OEUVRE
DOI:
https://doi.org/10.32461/2226-3209.1.2018.160187Keywords:
choral miniature, secular miniature, compositional structure, composition, programmenessAbstract
The purpose of the work is to find out the peculiarities of the compositional structure of choral miniatures of the secular subject matter in Volodymyr Zybitskyi’s works. The methodology of the research is based on the historical-typological and genre-stylistic methods. The historical-typological method is connected with the problems of historical development of the secular choral miniature genre; genre-stylistic method gave the opportunities for the multilevel analysis based on the understanding of a music piece as a result of the ordered interaction of the content and form. The scientific novelty of the paper consists in researching the compositional structures of the choral miniature genre at the modern stage. The conclusions. The compositional peculiarities of Volodymyr Zybitskyi’s secular choral miniature are the prevalence of minor forms with a developed internal structure: multiphase composition, mono-intonation of the thematic invention, texture differentiation of the background and relief. The tone row is concretized due to the text principle, i.e. the programmeness elements, wherefore portrait, first-person narrative and a lack of plot become the important features, resulting in laconism of a form and means.
References
Бєлікова В. Характеристика музичної мови В. Зубицького на прикладі хору "Весільна" / В. Бєлікова // Музикознавство Дніпропетровщини : Зб. статей [Ред. Ю. М. Новіков]. – Дніпропетровськ, 2003. – Вип. 3. – С. 21–24.
Герасимова-Персидская Н. Становление принципов хоровых композиций в русской и украинской музыке ХVII – начала XVIII вв. / Н. Герасимова-Персидская // Форма и стиль : Сб. научных трудов. Часть І / Отв. ред. Е. А. Ручьевская. – Л. : ЛОЛГК им. Н. А. Римского-Корсакова, 1990. – С. 35–64.
Задерацкий В. В. Музыкальная форма / В. Задерацкий. – М.: Музыка, 1995. – Вып. 1. – 544 с.
Назайкинский Е. Логика музыкальной композиции / Е. Назайкинский. – М. : Музыка, 1982. – 319 с.
Назайкинский Е. Поэтика музыкальной миниатюры / Е. Назайкинский // Е. В. Назайкинский. История
музыке : Избранные исследования. – М. : НИЦ "Московская консерватория", 2009. – С. 371–392.
Ручьевская Е. Классическая музыкальная форма / Е. Ручьевская. – СПб.: Композитор, 1998.-268с.
Терещенко А. "Чумацькі пісні" Володимира Зубицького / А. Терещенко // Народна творчість та етнографія. – 1990. – № 3. – С. 10–15.
Щербакова Н. Ю. Принципи композиційної цілісності у вокальній творчості Ю. Іщенка : дис. …канд. Мистецтвознавства : 17.00.03 / Н. Ю Щербакова. – К., 2009. – 197 с.
Belikova, V. (2003) Characteristics of V.Zybitskyi's musical language by the example of the choir "Vesilna". The musicology of Dnipropetrovsk region : Collected works [Edited by Y. M. Novikov] [in Ukrainian].
Herasimova-Persidskaya, N. (1990) The formation of the choral compositions principles in the Russian and Ukrainian music of the XVII – early XVIII centuries. Editor in chief E. A. Ruchevskaya. L. : LOLNC named after N. A. Rymskyi-Korsakov [in Russian].
Zaderatskyi, V. (1995) The musical form. Moscow: Music [in Russian]
Nazaykinskyi, E. (1982) Logic of the musical composition. Moscоw: Music [in Russian].
Nazaykinskyi, E. (2009) The poetics of the musical miniature. Moscow: SRC "Moscow conservatory" [in
Russian].
Ruchievskaya, E. (1998) Classical musical form. St. Petersburg [in Russian].
Tereshchenko, A. (1990) Volodymyr Zybitskyi’s "Chumatsky songs". National oeuvre and ethnography. Kyiv [in Ukrainian].
Shcherbakova, N. (2009) The principles of the compositional integrity in Y. Ishenko’s vocal oeuvre. Music studies PhD thesis. Kyiv [in Ukrainian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
