Tonal image of the mass theatralized performance in the context of the general-scale of the artistic image
DOI:
https://doi.org/10.32461/2226-3209.1.2018.160346Keywords:
mass theatrical performance, director, sound producer, director's intention, musical material, tonal image, artistic image, musical and staging competences.Abstract
Purpose of the Article. The article aims to determine the problems and their solutions of the sound design of a mass theatrical performance when creating a tonal image of the production. The methodology of the research consists in the application of musicological, cultural, art, system-structural and comparative methods which allowed us to consider the object under study as an integral part of the vast area of spectacular art at the present stage. Scientific Novelty. In the article the process of the sound decision of the mass theatrical performance was studied for the first time, the features of creating a tonal image of the production were considered, the specifics of the localization of the sound center and the specificity of the integrated sound reinforcement system were characterized, and the director's musical and performance competencies were accentuated. Conclusions. The embodiment of the director's plan depends mainly on the general concept of the musical decision of the production. The contemporary director, considering the dialectical connection between the development of art and culture, scientific progress in the context of technical means of expressiveness, must have musical and staging competences, which are the primary factor in creating a tonal image of a mass theatrical performance. Such view of study makes it possible to understand this process as a general aesthetic phenomenon.
References
Барышева Т. А. Психологическая структура креативности (опыт эмпирического исследования) / Т. А. Барышева // Известия Российского государственного педагогического университета имени А. И. Герцена. – СПб., 2012. – № 145. – С. 54–64.
Горюнова И. Э. Режиссура массовых театрализованных зрелищ и музыкальных представлений : ле-кции и сценарии / И. Э. Горюнова. – СПб. : Композитор * Санкт-Петербург, 2009. – 208 с.
Гриценко В. С. Повертаючись до розмови про художній образ : стаття друга / В. С. Гриценко // Гума-нітарний часопис : зб. наук. праць. – Х. : ХАІ , 2013. – № 1. – С. 90 – 99.
Емельянов Е. Д. Звукофикация театров и концертных залов : учеб. для сред. спец. учеб. заведений / Е. Д. Емельянов. – М. : Искусство, 1989. – 266 с.
Козюренко Ю. И. Музыкальное оформление спектакля : метод. пособие / Ю. Козюренко. – М. : Ис-
кусство, 1986. – 127 с.
Кужельний О. П. Основи режисури театралізованих видовищ і свят : навч. посіб. / О. П. Кужельний. – К. : НАКККіМ, 2012. – 140 с.
Логвінова О. О. Тенденції трансформації театралізованих жанрів та форм сучасної видовищної культури / О. О. Логвінова // Вісник Харківської державної академії мистецтв. Мистецтвознавство. Архітектура. – 2014. – № 7. – С. 87–91.
Таршис Н. А. Музыка драматического спектакля / Н. А. Таршис. – СПб. : СПбГАТИ, 2010. – 163 с.
Черняк Ю. М. Режиссура праздников и зрелищ : учеб. пособие / Ю. М. Черняк. – Минск : ТеатраСис-
темс, 2004. – 224 с.
Шарварко Б. Г. Режисура театралізованого масового дійства : навч.- метод. посібник / Б. Г. Шарварко. – К. : ДАКККіМ, 2004. – 123 с.
Шароев И. Режиссура эстрады и массовых представления /
И. Шароев. – М. : ГИТИС, 2014. – 342 с.
Шевцова А. М. Музыкально-постановочные компетенции режиссеров театрализованных представ-лений и праздников [Электронный ресурс] / Шевцова Анна Михайловна // Педагогика искусства : электрон. науч. журн. – 2010. – № 3. – Режим доступа: http://www.art-education.ru/electronic-journal/muzykalno-postanovochnye-kompetencii-rezhisserov-teatralizovannyh-predstavleniy-i.
Barysheva T. A., (2017). Psychological structure of creativity (experience of the empiric investigation). (p.p. 54-64) SPb: Izvestiya Rossiyskogo gosudarstvennogo pedagogicheskogo universiteta imeni A. I. Gertsena № 145 [in Russian].
Goryunova I. E. (2009) Directing of mass events and music performances: lections and scenarios. SPb: Kompozitor [in Russian].
Gritsenko V. S. (2013) Talking about creative image: second article (p.p. 90-99) Kharkív. : KHAÍ [in Ukrainian].
Yemel'yanov Ye. D. Sound-engineering in theatres and concert halls (1989) M.: Iskusstvo [in Russian].
Kozyurenko YU. I. (1986) Musical framing of the performance. M.: Iskusstvo [in Russian].
Kuzhel'niy O. P. (2012) Basics of directing theatrical perfomances and holidays. K. : NAKKKíM [in Ukrainian].
Logvínova O. O. (2014) Tendencies of transformation of theatrical genres and forms of modern performance culture (p.p. 87-91) Mistetstvoznavstvo. Arkhítektura № 7 [in Ukrainian].
Tarshis N. A. (2010) Music of dramatic performance SPb.: SPbGATI, [in Russian].
Chernyak YU. M. (2004) Directing of holidays and events. Minsk : TeatraSistems [in Russian].
Sharvarko B. G. (2004) Directing of theatrical mass performance. K.: DAKKKíM. [in Ukrainian].
Sharoyev I. (2014) Stage directing and mass perfomances. M.: GITIS [in Russian].
Shevtsova A. M. (2010) Musical-performance competencies of directors of holidays and events. Pedagogika iskusstva № 3 [in Russian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
