Design of scenic space by fiery means of construction.

Abstract

The purpose of the article is to find out the patterns in the relationships between content and form in the stage design, in particular in its specific variety, where fiery tools are dominant in the creation of visual artistic images. Methodology. The methodological basis of the study is a systematic study of art. Scientific Novelty. The kind of scenic design, where the fire is the primary way of visualizing artistic images is considered for the first time from a scientific point of view, which determines the scientific novelty of the research. Conclusions. The traditional component of the stage design is fire effects, which include festive ritual lights. Fire as the main component of the design was widely used in the Peter the Great era, where it became the dominant component of theatrical and entertainment shows. For the design of the Kiev public holidays, the sky in the 19th century, pyrotechnic techniques were often used. Today, designers in cooperation with directors of theatrical and entertainment events, along with traditional fire techniques, widely use modern pyrotechnics.