Globalization and transculturation in musical culture of the XX-XXI centuries
DOI:
https://doi.org/10.32461/2226-3209.2.2018.162184Keywords:
globalization, transcultural, musical culture, ethnic musicAbstract
The purpose of the article is to analyze the impact of globalization on the specifics of the development of the musical culture of the XX-XXI centuries and to highlight the manifestations of transculturalism, which is a promising paradigm, aimed at the interaction of cultures. The research methodology is connected with the use of culturological and analytical methods. This approach allows us to reveal the specifics of globalization and to analyze the main factors characterizing the musical culture of our time. The scientific novelty consists in explaining the essential features of transculturalism in the musical art in the domestic scientific thought. It is noted that the approach based not on globalization, but on the transculturalism, is perspective for the development of musical culture. The practical embodiment of the transcultural paradigm is advocates equality of cultures. Conclusions. Development of globalization leads to the unification of the musical language and the creation of a tendency to bring culture to a particular "standard" which will develop in the framework of pop music. But a paradigm aimed at the search for interaction between cultures – transculturalism is emerging. Accordingly, within it, conditions arise for the appearance of phenomena of a single, rather than general, order. Their eccentricity and the difference from the established "standard" attract attention to ethnic originality, combined with certain norms of the chosen styledirection.
References
Калицкий В.В. Диалог в музыкальной коммуникации как феномен культуры (философско-культурологический анализ). Автореф. канд.. филос. наук. 24.00.01 – Теория и история культуры. – Государст-венный университет управления. – М., 2014. – 27 с.
Кузуб Т. И. Процессы глобализации в современной музыкальной культуре / Т.И. Кузуб // Известия Уральского государственного университета. Сер. 2, Гуманитарные науки. – 2006. – N 47, вып. 12. – С.77-84.
Курбачева О. В. Транскультурация и мультикультурализм: перспективы и вызовы межкультурного диалога / О.В. Курбачева // Философия и социальные науки. – 2015. – № 3. – С.51-54
Тлостанова М.В. Проблема мультикультурализма и литература США конца XX века. – М., ИМЛИ РАН, "Наследие", 2000. – 400 с.
Шаров К.С. Музыка постмодерна и глобальный мир / Шаров Константин Сергеевич // Ценности и смыслы. – 2011. – №6 (15). –С.6-23.
Baumann M.P. The Charango as Transcultural Icon of Andean Music / Max Peter Baumann // Revista Transcultural de Música. – #8 (2004). – Retrieved from:http://www.redalyc.org/html/822/82200806/.
Tan L. Towards a Transcultural Theory of Democracy for Instrumental Music Education/ Leonard Tan // Philosophy of Music Education Review. – Volume 22, Number 1, Spring 2014. – Р.61-77.
Черниш М. Проблемне поле трансформацій сучасної культури в нових цивілізаційних умовах. Вісник Національної академії керівних кадрів культури і мистецтв. 2014.№ 4. К.: Міленіум.С.42-45
Kalitsky, V.V. (2014). Dialogue in musical communication as a phenomenon of culture (philosophical and cultural analysis). Extended abstract of candidate’s thesis. Moscow: State University of Management [in Russian].
Kuzub, T. I. (2006). The processes of globalization in contemporary musical culture, News of the Ural State University. Ser. 2, The humanities (N 47, issue 12), (pp. 77-840 [in Russian].
Kurbacheva, O. V. (2015). Transculturation and Multiculturalism: Prospects and Challenges of Intercultural Dialogue, Philosophy and Social Sciences (No. 3), (pp. 51-54) [in Russian].
Tlostanova, M.V. (2000). The problem of multiculturalism and US literature of the late XX century. Moscow: IMLI RAS, "Heritage" [in Russian].
Sharov, K.S. (2011). Music of postmodern and the global world, Values and Meanings (№6 (15)), (pp.6-23) [in Russian].
Baumann, M.P. (2004). The Charango as Transcultural Icon of Andean Music, Revista Transcultural de Música. (# 8). Retrieved from: http://www.redalyc.org/html/822/82200806/ [in English].
Tan, L. (2014). Towards a Transcultural Theory of Democracy for Instrumental Music Education, Philosophy of Music Education Review (Volume 22, Number 1), (pp. 61-77) [in English].
Chernysh, M. (2014). Problematic field of transformations of modern culture in the new civilization conditions. Visnyk Natsionalnoi akademii kerivnykh kadriv kultury i mystetstv Kyiv: Millennium. 4, 42-45 [in Ukraine].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
