Musical anthropology and its perspectives in modern humanitarian studies
DOI:
https://doi.org/10.32461/2226-3209.1.2019.166950Keywords:
musical anthropology, musical sociology, musical pedagogy, comparative musicology, ethnomusicologyAbstract
Purpose of the article. The purpose of the article is to present the individual perspectives of one of the most promising innovative humanitarian studies of the interdisciplinary level - musical anthropology. The methodology of the research is based on the principles of analytical, historical, cultural and comparative methods, which reveal various aspects of musical anthropology, expose its connection with other humanitarian disciplines and specifics in the research field of musicology. Scientific novelty of the review is to highlight the historical foundations and origins of musical anthropology in foreign and Ukrainian literature, to clarify the definition of the concept of musical anthropology, and for the first time, it outlines possible perspectives for its application in Ukrainian musical science. Conclusion. Understanding and deeper insight into the anthropological concepts of musical art and possibilities of their practical application, into the sensitive response of musical artifacts to the varied changes both in the historical past and in the modern socio-cultural environment, has not only purely speculative theoretical meaning. It is aimed at developing successful strategies of musical activity in the independent Ukrainian state and at the decent representation of national culture in the world.
References
Колесса Ф. Мелодії українських народних дум. Київ : Наукова думка, 1969. 591 с.
Луканюк Б. До історії терміна «етномузикологія». Вісник Львівського університету. Серія філологічна. Українська фольклористика. Львів : вид-во ЛНУ, 2006. Випуск 37. С. 257 – 272.
Потебня О. Мова. Національність. Денаціоналізація. Нью-Йорк 1992. 155 с.
Свідзинський А. Самоорганізація і культура. Київ : вид-во ім. О.Теліги, 1999. 287 с.
Blacking J. How musical is Man?. London: Faber and Faber, 1976. 116 р.
Blaukopf K. Musik im Wandel der Gesellschaft. Grundzüge der Musiksoziologie. München, 1984. 383 s.
Dobberstein M. Musik und Mensch. Grundlegung einer Anthropologie der Musik. Berlin : Dietrich Reiner Verlag, 2000. 596 s.
Farnsworth P.R. Social Psychology of Music. Iowa State University Press, 1969. 298 р.
Gardner, H. Frames of mind: The theory of multiple intelligence. New York, Basic Books, 1993. 440 р.
Gardner H. Intelligence Reframed: Multiple intelligences for the 21st century. New York: Basic Books, 1999. 202 р.
Merriam Alan P. The Anthropology of Music. Evanston: Illinois Northwestern: University Press, 1964. 358 p.
Mellers W. Music and Society. London 1946. 160 р.
Raynor H. A Social History of Music: from the Middle Ages to Beethoven. London, 1972. 372 р.
Silbermann A. Wovon lebt die Musik. Die Prinzipien der Musiksoziologie. Regensburg, 1958. 42 s.
Wiesengrund-Adorno Th. Einleitung in die Musiksoziologie. Frankfurt am M., 1962. 253 s.
Kolessa F. (1969). Melodies of Ukrainian folk dumas. K.: Naukova dumka, 1969. [in Ukrainian].
Lukanyuk B. (2006). To the history of the term «ethnomusicology». Visnyk of Lviv University. Philological series. Ukrainian folkloristics. Lviv: LNU. Issue 37. 257-272 [in Ukrainian].
Potebnya O. (1992). Language. Nationality. Denationalization. New York 1992 [in Ukrainian].
Svidzynskyj A. (1999). Self-organization and culture. K: O. Teliga publishers, 1999 [in Ukrainian].
Blacking J. (1976). How musical is Man?. London: Faber and Faber [in English].
Blaukopf K. (1984). Musik im Wandel der Gesellschaft. Grundzüge der Musiksoziologie. München [in German].
Dobberstein M. (2000). Musik und Mensch. Grundlegung einer Anthropologie der Musik. Berlin : Dietrich Reiner Verlag [in German].
Farnsworth P.R. (1969). Social Psychology of Music. Iowa State University Press [in English].
Gardner H. (1993). Frames of mind: The theory of multiple intelligence. New York, Basic Books [in English].
Gardner H. (1999). Intelligence Reframed: Multiple intelligences for the 21st century. New York: Basic Books [in English].
Merriam Alan P. (1964). The Anthropology of Music. Evanston: Illinois Northwestern: University Press [in English].
Mellers W. (1946). Music and Society. London [in English].
Raynor H. (1972). A Social History of Music: from the Middle Ages to Beethoven. London [in English].
Silbermann A. (1958). Wovon lebt die Musik. Die Prinzipien der Musiksoziologie. Regensburg [in German].
Wiesengrund-Adorno Th. (1962). Einleitung in die Musiksoziologie. Frankfurt am M. [in German].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
