Club choreography: the improvisation as a means of the creative leisure

Authors

  • Svitlana Oborska Kyiv National University of the Culture and Arts, Ukraine

DOI:

https://doi.org/10.32461/2226-3209.1.2019.167034

Keywords:

culture, club choreography, club culture, club dance, style, improvisation, modern dance, choreographic art

Abstract

The purpose of the article is to study the features of club choreography, improvisational features as a means of creative leisure for young people. The methodology of this research makes it possible to apply methods of analysis, synthesis, terminological, source-study approaches. The scientific novelty lies in determining the features of the provision of services for club choreography. Conclusions. The article considers the main types of the club dance as a free, democratic genre of the choreographic culture and its improvisational features as a means of the constructive leisure and creative development of the youth. Their origin and the nature of the improvisation are determined. The specificity of the club dances, their main components are formulated. The separation of the modern club choreographic culture from the past Ukrainian traditions of the choreographic culture is affirmed.

Author Biography

Svitlana Oborska, Kyiv National University of the Culture and Arts

candidate in the art criticism, docent, Associate Professor of the Department of Event Management and Leisure Industry

References

Буттомер П. Учимся танцевать: клубные танцы, латино-американские танцы, европейские (стандартные танцы). Пер. з англ. К. Мальков. Москва : ЭКСМО-Прес, 2001. 256 с.

Кравчук О.Г. Духовний та художній потенціал аргентинського танго. Вісник Міжнародного слов’янського університету. Сер. Мистецтвознавство. 2012. № 1, т. 15. С. 40-50.

Куракина С. Философия танца. LAP Lambert Academic Publishing, 2013. 112 с.

Мистецтво у розвитку особистості: монографія / Ничкало Н. Г. та ін. ; за ред. передмова та післямова Н. Г. Ничкало. Чернівці : Зелена Буковина, 2006. 223 с.

Шариков Д. І. Мистецтвознавча наука хореологія як феномен художньої культури. Типологія хореографії : монографія. Київ : КиМУ, 2013. Частина III. 90 с.

Buttomer, P. (2001). We study to dance: club dances, Латино-американские dances European (standard dances). (K. Malkov, Trans). Moscow: JeKSMO-Pres [in Russian].

Kravchuk, O.H. ( 2012). Spiritual and artistic potential of the Argentinas tango. Visnyk Mizhnarodnogo slov’jans'kogo universytetu, 15, 40-50. [in Ukrainian].

Kurakina, S. (2013). Philosophy of dance. LAP Lambert Academic Publishing [in Russian].

Nychkalo, N. H. (2006). An art is in development of personality. Chernivci: Zelena Bukovyna [in Ukrainian].

Sharykov, D. I. (2013).Study of art science of choreology as a phenomenon of artistic culture. Typology of choreography. Kyiv: [in Ukrainian].

Downloads

Published

2019-01-22

Issue

No. 1 (2019)

Section

Мистецтвознавство

License

Authors who publish with this journal agree to the following terms:

1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).