Ensemble culture of the performance of the quartette-concerto f-dur kv 370 of W.Mozart

Abstract

The purpose given studies is a clarification genre unique of Quartette with oboe KV 370 F-dur in connection with manifestation of the near by baroque style factors in Viennese classicism of Mozart  as organizing of intersection to genres of the quartette and concerto, as this formed in performance everyday life for specified compositions from XIX centuries. The methdological base of the work is culturology approach in science of art, presented including schoolof B.Asafiev in Ukraine, begin which are fixed french Ars nova begin XIV century and are turned in riverbed of theatrical mimesis to J.-J. Rousseau. The base place occupies the method of the genre-style benchmark analysis, hermeneutic, historian-descriptive methods, allowing within metaphysicians of the histories (A.Losev, N.Konrad) fix the semantic parallels of the formation of the humanitarian sphere and expressiveness of art. Scientific novelty of the work is determined by independance to theoretical idea about hypertrophy of the baroque manifestations of the Viennese classicism on behalf of W.Mozart in relationship with special interest to french style correction, which was defined by influence Jozefine classicism in Viennese school. For the first time in ukrainian musicology in given forshortening of style hermeneutic is presented style-genre analysis of the named composition unrolled on performance of the specified Ensemble of Mozart in performance key modern of neobaroque. The findings. The Quartette F-dur for oboe, violins, alto and celloes presents itself intersection  genre varieties in ensemble sonata da chiesa and becoming from medium XVIII century of the genre of the quartette, oriented on out-church criteria of artistic expressiveness. The emphasis of parties oboe in given quartette provokes on rapprochement with obligate concerto, that underlined presence three parts in cycle and orchestral principle in invoice pianoforte. Setting of the Quartette for solo-oboe and pianoforte created the precedent an baroque - an nеоbaroque  of the reading to work of Mozart.