Styling in professional folk choreographic art of the present
DOI:
https://doi.org/10.32461/2226-3209.2.2019.177729Keywords:
stylization, stylized dance, folk-stage dance, choreographer, spectacle, show program.Abstract
Purpose of the article is to analyze the today popular trends - stylization of folk dance, as well as determining its place and role in professional choreographic art. The methodology of the research involves the use of general scientific methods of theoretical and empirical levels: analysis and generalization of scientific and theoretical research foundations, comparative and logical methods. These methods allow us to characterize stylization in folk choreographic art, analyze the creative activity of leading professional choreographic groups from different countries and determine the role of stylized folk dances in their repertoire. The Scientific Novelty of the research represents the analysis of the repertoire of leading professional groups from different countries, stylization of folk dance which is the main direction of their creative activity. Conclusion. The folk dance stylization attracts more and more attention of directors in different countries and even becomes a stage philosophy of many foreign professional groups creativity. In Ukraine, for recent decades, attention has also been grown to the stylization of folk dance, and although national teams do not "specialize" in stylizing folk dance today, stylized numbers are presented in almost every concert program. This trend is popular due to such characteristic features of modern choreographic art as the interpenetration of various styles, the diversity of forms and directions and entertainment. The way stylization will develop in the future depends on the theoretical knowledge and practical skills of the directors, their skill in the creative interpretation of folklore choreographic material.
References
Бернадська Д. П. Феномен синтезу мистецтв в сучасній українській сценічній хореографії : автореф. дис. … канд. мистецтвознавства : спец. 17.00.01. Київ, 2005. 20 с.
Василенко К. Ю. Український танець : підручник. Київ : ІПК ПК. 1997. 282 с.
Голдрич О. Хореографія : посібник з основ хореографічного мистецтва та композиції танцю. Львів : Край, 2003. 160 с.
Гутник І. До проблеми стилізації народного танцю // Актуальні проблеми історії, теорії та практики художньої культури. Випуск XXI. 2009. С. 251–257.
Едемская В. «Сухишвили» подорвал Чернигов. URL : https://www.gorod.cn.ua/news/gorod-i-region/15238-suhishvili-vzorval-chernigov.html4
Кривохижа А. Гармонія танцю : навчально-методичний посібник з викладання курсу «Мистецтво балетмейстера» для хореографічних відділень педагогічних університетів. Кіровоград : РВЦ КДПУ ім. Винниченка, 2006. 100 с.
Музыкальное шоу «Легенда Грузии». URL : http://world.lib.ru/i/iwanowa_a/giorgia.shtml
Шевченко В. Т. Мистецтво балетмейстера в народно-сценічній хореографії : навчально-методичний посібник для вищих навчальних закладів культури і мистецтв України. Київ : ДАКККіМ, 2006. 184 с.
Fuego! – Испанское пламя в Москве. URL : http://flamenco.spain.sc/novosti/fuego-ispanskoe-plamja-v-moskve.html
Bernadskaya, D.P. (2005). The phenomenon of art synthesis in contemporary Ukrainian stage choreography. Extended abstract of the candidate’s thesis. Kyiv: КyivNUCA [in Ukrainian].
Vasilenko, К.Y. (1996). Ukrainian Folk-stage Dance Lexis. Кyiv: Mystectvo [in Ukrainian].
Goldrih O. (2003). Choreography: A manual on the basis of choreographic art and dance compositions. Lviv: Kraj [in Ukrainian].
Gutnyk I. (2009). On the problem of folk dance stylization. Actual problems of history, theory and practice of artistic culture, XXI, 251-257 [in Ukrainian]
Edemskaya V. “Sukhishvili” blew up Chernihiv. Retrieved from https://www.gorod.cn.ua/news/gorod-i-region/15238-suhishvili-vzorval-chernigov.html [in Ukrainian].
Kryvohyzha, A. (2006). Dance harmony: textbook on the course “Balletmaster Art”. Kirovograd: RVC KDPU im. Vynnychenka [in Ukrainian].
Musical show “Legend of Georgia”. Retrieved from http://world.lib.ru/i/iwanowa_a/giorgia.shtml [in Russian].
Shevchenko V.T. (2006). The art of the choreographer in folk-stage choreography: educational-methodical manual for higher educational institutions of culture and arts of Ukraine. Kyiv: SAGMSCA [in Ukrainian].
Fuego! – The Spanish Flame in Moscow. Retrieved from http://flamenco.spain.sc/novosti/fuegoispanskoe-plamja-v-moskve.html [in Russian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).