CIVIC AND PATRIOTIC MOTIVATION OF KYRYLO STETSENKO’S LIFE CREATIVITY
DOI:
https://doi.org/10.32461/2226-3209.3.2019.191807Keywords:
composer, educator, conductor, music education, folklore studies, church music, school singing repertoire.Abstract
The purpose of the article is to outline aware and persistent efforts of K. Stetsenko in the areas of creative, pedagogical and social work for the national-patriotic education of youth, as well as the Ukrainian society as a whole. The methodology of the research lies in application of historical, biographical and system-analytical methods. The scientific novelty of the research is in the discourse of cultural and educational basis of Kyrylo Stetsenko’s musical creativity, his pedagogical and social activities; in systematizing materials about his achievements as a composer, conductor, critic, teacher and public figure motivated by his national and patriotic priorities. K. Stetsenko inherited his love for art, folklore, and respect for Ukrainian sacral traditions from his parents’ home. During his studies at the theological educational institutions and in M. Lysenko’s Music and Drama School the grounds of his national self-awareness were set. This was also facilitated by his personal acquaintance with Mykola Lysenko. K. Stetsenko’s managerial and choral activities, foundation of music publishing house, his work as a music critic and educator were motivated by his devoted commitment to the Ukrainian idea. The composer’s patriotic attitude was reflected in his selection of freedom-loving poetry for vocal music, in composing a number of spiritual pieces, in interpretation of folk-verse and paraliturgical samples, in children’s art. Conclusions. Due to his tireless social work, talent of a composer, pedagogical and managerial skills, the artist responded to the needs of the Ukrainian society and school, realized the demand for artistic-concert and didactic material, understood its significance for musical education and upbringing. Both musical and theoretical works of K. Stetsenko were based on national patriotic principles, and therefore they remain relevant to this day.
References
References
Hrinchenko, M. (1959) K. H. Stetsenko. Kyiv: State publishing house of art and music literature of the Ukrainian SSR, 490–510 [in Ukrainian].
Zakharchuk, O. (2012). Kyrylo Stetsenko – priest and composer (to the 130th anniversary of birth and 90th anniversary of the day of death). Ukrainian music: scientific journal, 3–4 (5–6), 83–88. Lviv [in Ukrainian].
Kyianovska, L. (2009). Ukrainian music culture: textbook. Lviv: Triada plus [in Ukrainian].
Kyrylo Stetsenko: memoirs, letters, materials. (1981). Kyiv: Muzychna Ukraina [in Ukrainian].
Lastovetskyi, M. (2016).Vectors of pedagogical activity of Kyrylo Stetsenko. Art culture: history, theory, methodology: Abstracts of the reports of the International scientific conference. Lviv, 92–94 [in Ukrainian].
Parkhomenko, L. (2009). Kyrylo Stetsenko. Kyiv: Muzychna Ukraina [in Ukrainian].
Parkhomenko, L. (2006). Preface. Stetsenko K. Cantatas and choirs. Kyiv: Muzychna Ukraina, 7–10 [in Ukrainian].
Fedotov, Ye. (1977). Kyrylo Stetsenko – teacher. Kyiv: Muzychna Ukraina [in Ukrainian].
Yurchenko, M. (2006). Stetsenko K. Cantatas and choirs. Kyiv: Muzychna Ukraina, 5¬6 [in Ukrainian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).