“Entertainment” is a vector component of the development of Western European culture in the ХIХ - early ХХ centuries
DOI:
https://doi.org/10.32461/2226-3209.4.2020.219172Keywords:
«Entertainment», Western European culture of the 19th - early 20th centuries, existential concept, positivism.Abstract
The purpose of the article consists of investigating the dynamics of cultural and semantic reference points of the “Entertainment” phenomenon in the context of the development of Western European culture in the ХІХ - early ХХ centuries. The research methodology consists in the application of analytical method - to determine the theoretical and methodological foundations of the study of the phenomenon of "Entertainment" in the context of Western European culture of the ХIХ - early ХХ centuries; we use the historical and cultural method to investigate the dynamics of cultural and semantic reference points of the phenomenon of "Entertainment" in the context of the development of Western European culture of this historical period; method of comparative studies - for the analysis of approaches to understanding the phenomenon of «Entertainment»; the hermeneutic method - for the interpretation of the semantic content of the concept of "Entertainment" in the context of the development of Western European culture of the ХІХ - early ХХ centuries. The scientific novelty of the work is that for the first time the essence of the phenomenon of «Entertainment» as a vector component of the development of Western European culture of the ХIХ - early ХХ century. Conclusions. The study of problems phenomenon of «Entertainment» requires the use of an interdisciplinary approach, which acquires its clear features when choosing a subject of study. The phenomenon of «Entertainment» is a way of personifying exclusivity; a specific existential concept, which is considered as a fundamental principle of philosophical knowledge, due to which a person's relationship with himself, with other people, is revealed; a form of transferring the internal dynamics of changes in feelings, which reflect the search forms of certain methods for the embodiment of the psychological life of an individual "I" isolated from others and concentrated in itself. All the specified aspects vividly prove the definition of the «Entertainment» phenomenon as one of the vector components of the development of Western European culture in the ХІХ - early ХХ centuries.
References
Adler A. (1997). About the nervous character. Transl. from German by I. V. Stefanovich. SPb.: University book [In Russian].
Belyaev A.A.(1989). Aesthetics: Dictionary. Moscow: Politizdat [In Russian].
Bergson A. (1998). Сreative evolution. Moscow: KANON-press, Kuchkovo pole [In Russian].
Gaydzhutis A. L. (1983). Classical art and modernity. Moscow: Knowledge [In Russian].
Grant Allen. Physiological Aesthetics and Philistia. Allen Grant. URL: https://archive.org/stream/myfirstbookexper00besarich#page/42/mode/2up
Zola Emil. (1988). Trap. Germinal. Transl from French by N. Nemchinova. Moscow: Artist. Lit. [In Russian].
Lombroso Ch. (1995). Geniality and God: Parallel with great people and gods. Trans. from ital. By K. Petyushinova. K.: Ukraine [In Russian].
Mariten ZH. (1960). Artist responsibility. Transl. from french by L. M. Stepacheva. Retrieved from http://www.gumer.info/bibliotek_Buks/Culture/Mariten/index.php
Oníshchenko O. Í. (2001). Artistic creation in the context of humanitarian knowledge. K.: Vishcha shk. [In Ukrainian].
Reskin Dzhon. (1903). Eagle's Nest (10 lectures on the relationship of natural science to art. Transl. from English by L. P. Nikiforova. Moscow: «Knizhnoye delo» [In Russian].
Rossolimo G.I. (1910). Psychological profiles. SPb.: Publishing house of M. A. Aleksandrov [In Russian].
Nietzsche Friedrich. Birth of Tragedy, or Hellenism and Pessimism. Trans. from German by G. A. Rachinsky. URL: http://az.lib.ru/n/nicshe_f/text_0010.shtml
Ulanova S. І. (2002). Musical education of the 19th century: Austria and Nimechchina. K.: DAKKKіM [In Ukrainian].
Freyd Z. (1992) Beyond the pleasure principle. Transl. from German by A. A. Hushyna. Moscow: Prohress [In Russian].
Fritsche V. (1912). Poetry of nightmares and horror. Several chapters from the history of literature and art in the West. With paintings by artists: Bosch, Bregel, etc. Moscow: Art press [In Russian].
Jung Karl. (1998). Favorites Trans. from German by Glushaka E.B., Butuzova G.A., Sobutskiy M.A., and others. Moscow: Potpourri [In Russian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).