Music in Ukrainian ballet as a musicological problem: experience and perspectives of study
DOI:
https://doi.org/10.32461/2226-3209.3.2021.244491Abstract
Purpose of the Article. The study of the source base on the issue of music in Ukrainian ballet to generalize the theoretical heritage and outline the prospects for further research on this issue. Methodology. The article is based on the analytical method of research, the method of systematization, and comparison. These methods allowed us to analyze the literature on the selected issues, to classify and compare its problem perspective. Scientific novelty. The scientific novelty is to compare the experience of studying the musical basis of ballet as an art problem in the traditional (experience) and innovative (perspective) sense with the obligatory parallel analysis of the choreographic component. Conclusions. Given the uneven coverage and study of musical and choreographic components of the ballet genre in scientific thought, it is appropriate for scientists to strive for a conscious in-depth study of those aspects of ballet that do not lie in the field of their specialization. Examples of works, where the ballet study as integrity, are the works of O. Afonina, O. Zavyalova, O. Karandeeva, D. Sharikov.
Keywords: music in ballet, musicology, choreography, theater studies, evolution of ballet.
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