Interaction of Cultural Components in the Musical Art of China in the Context of Globalisation Influences

Abstract

The purpose of the article is to analyse the interaction of Chinese and global elements in music and to highlight how Chinese actively construct their identity through musical discourse. The research employs methods of literary source analysis, conceptual analysis, and methods of cultural analysis to reveal the role of music in the construction of cultural identity. Special attention is given to the analysis of cultural transformations, dynamics of interaction between Chinese and global cultural elements in the field of musical art. The scientific novelty lies in studying the interaction of different cultural components in the musical context of China in the conditions of globalisation. Conclusions. The research results allow us to define the role of music in the formation and preservation of cultural identity in the conditions of variability and cultural interaction. Understanding the essence of music and studying the achievements of their predecessors, the Chinese community employs historically and culturally rooted ideologies and practices to guide their musical discourse. It is argued that Chinese music can acoustically express their national identity, even if the sounds include elements that have external origins or are associated with other cultures. Music emerges as a platform where different nationalities can effectively communicate both among themselves and with representatives of other cultures, expressing their personal and authentic identity.

Keywords: Chinese music, cultural identity, globalisation, musical dialogue, cultural components.