Mykola Hlushchenko's paintings of 1940s–1970s from collection of Dnipro Art Museum: to the issue of periodisation and reattribution

Abstract

The purpose of the article is implementation into scientific use the proposed time limits and names of creative path`s periods of artist Mykola Hlushchenko (1901–1977). Based on analysis of well-known facts of his life and creativity, studies of artist`s artistic heritage from 1940s–1970s artworks collection of Dnipro Art Museum. The research methodology is based on the methods of art-stylistic and comparative analysis of Mykola Hlushchenko's paintings, considered in art-historical and cultural-historical aspects. The scientific novelty of research consists in scientific 1940s–1970s creativity periods determination of M. Hlushchenko based on research of Dnipro Art Museum collection and additional attribution of individual painting artworks according to the proposed stages. Conclusions. Based on the analysis of Mykola Hlushchenko's paintings from Dnipro Art Museum collection and study in accounting fund documentation of the institution, considering biographical and autobiographical information, socio-political and historical-cultural context, we proposed a refined periodisation of the artist's work. Division of creative stages of M. Hlushchenko for more detailed periods will allow a more thorough and deeper analysis of the well-known today artist's creative heritage. Using the example of Dnipro Art Museum collection, we concluded that a certain number of works in the museum collections of Ukraine require additional attribution. In addition, the creative heritage of outstanding Ukrainian artist Mykola Hlushchenko remains insufficiently studied and requires comprehensive research.