From the history of creative and performing activities of Bandura Trio “Dyvostruny” (dedicated to the 25-th anniversary of establishment)

Abstract

The purpose of the article is to study the main formation stages of the bandura trio “Dyvostruny” of the Lesia Ukrainka Volyn National University (city of Lutsk) in order to examine the development of its artistic activity chronologically, as well as to determine the ensemble's contribution to the development and popularisation of modern bandura art in the local and international music scene. The research methodology is based on the application of general scientific methods such as source studies, historical analysis, culture and art researches, and generalisation method all of which provide an opportunity to analyse and comprehensively highlight the ensemble's undertakings. The scientific novelty lies in the fact that for the first time vast 25-year body of work of the unique Volyn group which is all female bandura trio “Dyvostruny” is systematised chronologically and its multifaceted activities are highlighted (such as participation in professional competitions, concert performances, creation of the new bandura repertoire, sheet music publications, recording and releasing of audio and video albums, thematic programmes on radio and television, popularisation of bandura art and national culture in Ukraine and abroad). Conclusions. The bandura trio “Dyvostruny” of Lesia Ukrainka University in its many years of diverse activities (including being a productive and creative art laboratory, winners of various prestigious professional competitions, fascinating live band, bright representatives of the national artistry as an expression of Ukrainian identity and Volyn melos in inside the country and abroad) solidifies the importance of promoting national arts throughout the world and makes a significant contribution to the musical, aesthetic and patriotic education of the Ukrainian nation.