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No. 42 (2022)
No. 42 (2022)
Published:
2022-12-27
Дизайн
Ethno Art Traditions in Fashion and Music as Factor of the Artist’s National Identity Formation
Yurii Lehenkyi , Yelyzaveta Arefieva
pdf (Українська)
Образотворче мистецтво, декоративне мистецтво, реставрація
Performance as Means of Creating Art Object in Creativity of Contemporary Ukrainian Artists
Olena Chumachenko
pdf (Українська)
Сценічне мистецтво
Dramaturgical Innovations in Ukrainian Music and Drama Theatre in Early XX Century
Iryna Yan
pdf (Українська)
Influence of Scenography Development on Artistic Interpretation in Plastic Directing
Ruslan Nykonenko
pdf (Українська)
Genre and Aesthetic Specificity of Modern Children's Musical
Liliiana Belymenko
pdf (Українська)
Stage Speech Training in Producing English Plays in Ukraine
Hanna Hrynchak
pdf (Українська)
Cultural-Historical Background of New Ukrainian Theater Creation (End of XIX – Beginning of XX Century)
Nataliia Sokolenko
pdf (Українська)
Circus as Environment of Screen Action in Modern Directors’ Creative Work
Galyna Pogrebnіak
pdf (Українська)
Хореографія
Dynamics of Ukrainian Folk and Stage Folk Choreography Formation and its Manifestation in Pavlo Virskyi’s Work (the Case Study of the State Dance Ensemble of Ukraine 1950s–1960s)
Evgeniy Roy , Vyacheslav Roy
pdf (Українська)
Preservation of Folk Choreographic Culture of Western Podillia (Case Study of «Vesnianka» Dance Ensemble of Ternopil Volodymyr Hnatiuk National Pedagogical University)
Liudmyla Shchur
pdf (Українська)
Lesia Ukrainka's Works on the Domestic Ballet Scene
Hanna Perova , Liudmyla Khotsianovska
pdf (Українська)
Музичне мистецтво
Music at Ukrainian Academic Music Festivals at the Turn of ХХ–ХХІ Centuries
Oleksandr Antonenko , Margaryta Antonenko
pdf (Українська)
Grassroots as an Artistic Category of Ukrainian Culture of the XVII–XIХ Centuries
Taras Dubrovnyi
pdf (Українська)
Cyclic Forms in Anatolii Haidenko’s Creativity: Genre-Style Features
Andrii Yeriomenko
pdf (Українська)
Features of the Functionality of the Harmonic Progression II–V as a Main Element of the Musical Jazz Vocabulary
Volodymyr Zhurba , Yanina Zhurba
pdf (Українська)
"Madonna Ukraine" in Ivan Karabyts’s Pop Song: View through the Prism of National Collective Thinking
Mykhailo Kulyniak
pdf (Українська)
Artist’s Biography: from Individual and Creative Experience to Sociocultural Memory
Lesia Mykulanynets
pdf (Українська)
Synthesis of Philosophical-Aesthetic and Psychological Narratives in Modern Ukrainian Composers’ Creative Work
Viktor Stepurko
pdf (Українська)
Historical Stages of Musical Art Development in the Context of Scientific and Technical Progress
Mykhailo Uzhynskyi , Bohdan Kovalyk
pdf (Українська)
Ukrainian Music in the 18th – 21st Centuries: A Retrospective Study
Zhou Hongwei
pdf (Українська)
Peculiarities of Teaching Jazz Improvisation for Pop Singers of Music Colleges
Olena Maltseva
pdf (Українська)
Genre and Style Innovations in Creative Works of Ukrainian Pop Singers
Nataliia Ovsiannikova
pdf (Українська)
Artistic Phenomenon of Igor Ivashchenko: New Comprehension Dimension
Viktoriia Shumilova
pdf (Українська)
Some Challenges of Partita No. 1 by J. S. Bach Interpretation in Piano, Harpsichord, Clavichord, Organ Performance
Kateryna Yelysieieva
pdf (Українська)
Receptions of Mykola Lysenko in Visual Artefacts by Western Ukrainian Artists
Olha Kuznetsova
pdf (Українська)
Syncretism of Song-Aria-Hymn in Solo Numbers of K. Orff's Primitivist Thinking
Rui Shan Song
pdf (Українська)
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