The texture-composite organization as a dominant character of piano style of V. Bibik (through the example of fortepiano sonata genre)

Abstract

Purpose of the research. The investigation is devoted to the identification of specifics of connection between harmony and texture in piano sonatas of Valentine Bibik, namely 4, 5, 6 and 7 sonatas. The methodology lies in using of the system, typological-comparative and structural-functional approaches of general scientific methodological base. It allows for correlation analysis of composite-textured organization of piano sonatas of outstanding Ukrainian composer Valentin Bibik. The scientific novelty of this investigation consists in designation of the specific characteristics of the instrumental (piano) compositions of Valentine Bibik. The work creates a basis for the expansion of the concert and pedagogical spectrum of modern piano art. The special value of the investigation consists in the attention to the contemporary piano compositions of a famous composer, a member of the National Union of Composers of Ukraine – Valentin Bibik. Conclusion. The study shows that in the palette of harmonic means of V. Bibik almost all types of verticals formed in musical practice are present – from interval to polyphonic complex. Individual character is very important for the selection of these verticals.