The cinematography art as a field of visualization and interpretation of political ethics

Abstract

The main purpose: The main purpose of the article is to substantiate the basic approaches to the interpretation of political ethics and to explore their visualization and interpretation in the cinema. Methodology: The framework of this article consist comprehensive multidisciplinary approach and methodological tools developed by M. Mamardashvili, А. Badiou, S. Zizek, C. Schmitt, M. Nussbaum, P. Sloterdijk, and R. Taller. The scientific novelty of the research is founded on distinguishing the ethics of individual and political ethics, which is conceptualized through interaction with other people, on the one hand, and institutions, on the other hand. The ethics of duty, the ethics of human rights, the ethics of economic necessity, bioethics, ethics of public opinion, ethics of institutions were found out. Conclusion: It was proved that ethics as a universal concept does not exist. It is concretized in clear situations and dilemmas while gaining a political definition. Therefore, all ethics can be considered as a political ethics. Several types of political ethics, including ethics of duty, ethics of human rights, economic necessity ethics, bioethics, ethics of public opinion, institutions ethics have been described in the research. The article explained how ethics can be transformed into political ethics on the ground of visualization in cinema. Eventually, several variations of political ethics have been interpreted on the basis of cinema, have been formed the boundaries of privacy inthem.