Stylistic Paradoxes of the Discovery of the Ukrainian Mental Lyricism in Music Author's Creative Activity of the XIX-XXCenturies
DOI:
https://doi.org/10.32461/2226-3209.2.2018.162756Keywords:
Ukrainian lyricism, stylistic paradoxes in piano demonstration of lyricism, musical author's creative activity, orchestral pianoforte, salon piano playing.Abstract
Purpose of Research. The purpose of the research is to find out the intrinsically-stylistic contradictions in Ukrainian mental lyricism, which is determined by the naturalness of conservations tradition in salon piano play in Ukraine that are the basis of piano modernist style in music XX century. Methodology. The methodological basis of the study is the interdisciplinary reflective-stylistic cомparison and culturological-hermeneutic analysis of the music-artistic manifestations of creative activity, following the of positions of T. Adorno, A. Losev, studies of A.Sokol, E.Markova, O.Muravskaya and others. Scientific Novelty. The scientific novelty of the work is the theoretical independent point of view of the history foreshortening of the consideration of the artistic processes in epoch of the Romanticism. The author is the first in musicology who has chosen relationship of "antisymbolism" F. Chopin and T. Shevchenko, which directed the stylistic orientation o fUkrainian piano including, art, conditioning certain an nihilation contrariety intradition of the Romanticism and Modernist style in creative activity of the Ukrainian masters of XX century. Conclusions. The contradictions of the development of the piano thinking XIX century had a direct entailment in Ukraine. We can name among its representatives the following figures M. Lysenko, V. Puhalskiy, in Western Ukraine K. Mikuli. M. Lysenko and K. Mikuli were defined as the salon playing, whereas according to T. Leszetyckii, V.Puhalskiy belonged to the class of the "middle" comparatively salon and philharmonic type. Thereby, Ukrainian masters naturally kept of the bases of salonpiano playing, than Russian ones and the followers of F.Liszt in Germany. They had a deep national sense estate culture. Finally, in XX century the piano technology of the Ukrainian gravitates to rebirth salon key type of pianosounding, which, on the strength of objective history circumstance, did not withstand orchestra type. It included the latter.
References
Андросова Д.В. Символизм и поликлавирность в фортепианном исполнительстве ХХ в. Монография. Одесса, Астропринт, 2014. 400с.
Бэлза И. Шопен. Москва, Наука, 1968. 380с.
Гумилев Л. Этносфера. История людей и история природы. Москва: ЭКОПРОС, 1993. 544с.
Гошовский B. Дума. Музыкальная энциклопедия в 6-ти томах / Гл. ред. Ю. Келдыш. Москва : Сов.энциклопедия, 1974. Т. 2.С.329.
Гордейчук Н. Лысенко Николай Виталиевич. Муз.энциклопедия в 6-ти томах / Гл.ред. Ю. Келдыш. Мос-
ква, 1976. Т. 3. С.342-344.
Присталов І. Ліризм як метод національного мислення у виразності співу вокалістів оперних шкіл Укра-їни. Канд.дис., спеціальність 17.00.03 – муз.мистецтво, ОНМА ім.А.В.Нежданової, Одеса, 2006. 152с.
Пухальский Владимир Вячеславович (Вацлавич). URL : https://ru/wikipedia.org/wiki/Пухальский_Владимир_Вячеславович.
Українська душа. Збірник статей / Вступ. стаття та ред. В. Храмової. Київ: Фенікс, 1992. 127с.
Шевченко Т.Г. Кобзар. Донецьк, ТОВ ВКФ БАО, 2008. 480с.
Węcowski J. Folklor religijny w utworach Chopina / Dzieło Chopina jako źródło inspiracji wykonawczych. Warszawa, Akademia muzyczna im. F. Chopina, 1999. S.513-534.
Androsova, D. (2014). The symbolism and plural key type of piano sounding, in piano play XX ct. Monograph. Odessa : Astroprint [in Russian].
Belza, I. (1968). Chopin. Moscow : Nauka [inRussian].
Gumilev, L. (1993) Etnosfera. History of the people and history of the nature. Moscow : EKOPROS [in
Russian].
Goshovskiy, B. (1974). The Duma. The Music encyclopedia in 6-th volumes. Editor-in-chief Yu. Keldysh. Moscow, Sov.enciklop, 2, 329 [inRussian].
Gordeychuk, N. (1976). Lysenko Nikolay Vitalievich. The Music encyclopedia in 6-ti volumes. Editor-in-chief Yu. Keldysh. Moscow : Sov.enciklop, 3, 342-344 [inRussian].
Pristalov, I.(2006). Lyricism as method of the national thinking in expressiveness of vocalists singing in operatic schools of the Ukraine. Diss. of Cand. Digree in art : 17.00.03 – Musical art, A.V.Nezhdanova Odessa National musical academy. Odessa [inUkrainian].
Puhalskiy Vladimir Vyacheslavovich (Vаclavich). URL : https://ru/wikipedia.org/wiki [inRussian].
The ukrainian soul. The сollection article (1992). The entrance article and editing V.Hramova. Kyiv : Feniks [in
Ukrainian].
Shevchenko,T.G.(2008). Itinerat player on a kind of lute. Doneck, TOVVKF "BAO"[in Ukrainian].
Węcowski, J. (1999). Folklor religijny w utworach Chopina. Dzieło Chopina jako źródło inspiracji wykonawczych. Warszawa : Akademia muzyczna im. F. Chopina, 513-534 [in Polska].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).