Media wars through the lens of Cinema Studies: between Foucault and Baudrillard
DOI:
https://doi.org/10.32461/2226-3209.2.2019.177427Keywords:
cultural studies, media culturology, cinema studies, аrt criticism, media war, M. Foucault, J. Baudrillard, power, simulacrum, the Magician archetype, Trickster.Abstract
The Purpose of the Article is to investigate and explicate the cultural messages of the new Walt Disney Pictures studio film «Oz: the Great and Powerful» (2013). This cinematic narrative is a vivid and resonant example of the representations of auto-reflections by creators of film industry about the history, social role and powerful influence of cinema as a medium between creators and recipients of film production. The methodology of the study consists in the use of structural-functional approach, formal analysis, hermeneutic and semiotic analysis, discourse analysis, archetypal and axiological analysis. The scientific novelty of this research lies in the fact that, for the first time within the framework of the Ukrainian cultural studies and cinema studies, it has raised the question about the way in which representatives of the film industry themselves use the means of cinema to problematize, conceptualize and represent media warfare as well as their own role and mission in modern society. Conclusions. The analysis of the representations of the nature of modern power and the role of media, which has been carried out using the example of the film «Oz: the Great and Mighty», has demonstrated the ideas of M. Foucault and J. Baudrillard to be of very high importance. The media representatives’ view of their role in the society is represented by Baudrillard’s «show – power – simulacrum» chain, which constitutes the vicious circle of the modern media world’s way of being. At the same time, the images of power in film narrative are situated between the extreme poles of the dispute between two intellectuals about the nature of power: on the one hand, power is omnipresent (M. Foucault) and, on the other hand, power is a dead simulacrum (J. Baudrillard). The axiological core of a film product is a parodical simulacrum of the traditional ethics and a well-thought-out construct, a media indulgence, which legitimizes and ensures mental destabilization of society, which J. Baudrillard has warned us about.References
. Бодрийяр Ж. Общество потребления. Его мифы и структуры. М.: Республика; Культурная революция, 2006. 269 с.
Бодрийяр Ж. Символический обмен и смерть. М.: Добро–свет, 2000. 387 с.
Бодрийяр Ж. Дух терроризма. Войны в заливе не было / Пер. с фр. А. Качалова. М.: Рипол–классик, 2016. 224 с.
Бодрийяр Ж. Забыть Фуко/ Перевод Д.Калугина. Санкт– Петербург: Владимир Даль, 2000. 96 с.
Куренной В. Философия фильма: упражнения в анализе. М.: Новое литературное обозрение, 2009. 232 с.
Неретина С.С. Апории дискурса / Рос. акад. наук, Ин–т философии ; С.С. Неретина, А.П. Огурцов, Н.Н. Мурзин, К.А. Павлов–Пинус. М. : ИФ РАН, 2017. 119 с.
Фуко М. Археология знания. Киев: Ника–Центр, 1996. 208 с.
Фуко М. Воля к истине. По ту сторону знания, власти и сексуальности. М.: Магистериум–Касталь, 1996. 197 с.
Baudrillard, J. The Consumer Society. Myths and Structures (2006). M .: Respublika; Kulturnaya revolyutsiya [in Russian].
Baudrillard,J. Symbolic Exchange and Death (2000). M .: Dobro–svet [in Russian].
Baudrillard, J. The Spirit of Terrorism. The War in the Gulf Did Not Take Place (2016). M .: Ripol–classic [in Russian].
Baudrillard, J. Forget Foucault (2000). St. Petersburg: Vladimir Dal [in Russian].
Kurennoy, V. Philosophy of the film: Exercises in the analysis (2009). М.: Novoe Literaturnoe Obozrenie [in Russian].
Neretina, S. S. Aporia of discourse (2017). ROS. Akad. Sciences, Institute of philosophy. S.S Neretina, A.P. Ogurtsov, N.N. Murzin, K.A. Pavlov–Pinus. M.: IPH RAS. [in Russian].
Foucault, M. The Archeology of Knowledge (1996). Kyiv: Nika–Center [in Russian].
Foucault M. The Will to Truth. On the other side of knowledge, power, and sexuality (1996). M .: Magisterium–Kastal [in Russian].
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).