Philharmonic Academic Symphony Orchestra: the communicative aspect of a symphonic performance
DOI:
https://doi.org/10.32461/2226-3209.3.2020.220130Keywords:
academic symphony orchestra “Philharmonic, ” symphonic vicinage, community potential, cultural dynamics.Abstract
The purpose of the article. The study is connected with the substantiation of the communicative potential of symphonic performance, carried out on the example of large-scale creative activity of the Philharmonic Academic Symphony Orchestra of the Chernihiv Regional Philharmonic Center for Festivals and Concert Programs. The Philharmonic Symphony Orchestra is the first professional creative group in the region that, over the past twenty years, has systematically promoted symphonic music by domestic and foreign composers. Methodology. Following the goals and objectives, the main methodological approaches are based on historical and musicological, causal, systemic methods. It allows you to explore various aspects of symphonic performance, which had a significant impact on the formation of qualitative characteristics of the musical life of the region. The scientific novelty and significance of the results of art history research lie in the fact that the communicative potential of the symphonic performance of the first professional symphony orchestra in the Chernihiv region, actively promoting various styles and genres of symphonic music, is analyzed; It represents the performing culture of Ukraine at the international level, has a significant impact on the communication processes of the cultural life of the region on the principles of a dialogue of cultures and gives rise to new spiritual identities, demonstrating their construction in the real conditions of modern society. Conclusions. For the first time, the symphonic performance of the Philharmonic Academic Symphony Orchestra is seen as a communicative process of cultural interaction, which has a significant impact on the formation of a holistic picture of the musical culture of the region. The regional perspective of symphonic performance must allow us to explore both the national and international potential of musical art, which has developed on modern approaches to organizing tour and concert activities, based on the principles of cultural exchange in the framework of creative projects and has positive musical, professional, spiritual and aesthetic results, it becomes an influential factor in the cultural dynamics of the artistic development of Chernihiv region.
References
Bruno Walter (1969). Theme with variations. Memoirs and reflections. Moscow: Music [in Russian].
Vasiuta O.P. (2018). The concept of musical culture of Chernigiv region of the XXth century is aproblem of musical Ukrainian culture. Ukranian mystical exaltation: materials, reviews, 18, pp. 19-24 [in Ukrainian].
Vasiuta O.P. (2011). K. Sorokin's conducting activity as a factor of actualization of symphonic performance. Musical Ukrainian studies: modern dimension, 6, pp. 343-352 [in Ukrainian].
Vasiuta O.P. (2012) .Chernihiv Regional Philharmonic Center of Festivals and Concert Programs: a modern mode of music performance and concert activities. Musical culture of Chernihiv region-thesaurus of Ukraine. Chernihiv: Ed. Lozovy V.M. pp. 43-45. [in Ukrainian].
years. Chernihiv Music School. L.M. Revutsky. (2004). Chernihiv: Star. 170 p. [in Ukrainian].
Sukach M.V. (2018). Serhiy Bortkevych: score of life: monograph. Chernihiv: Desna Polygraph, 136 p. [in Ukrainian].
Schaeffer T.V. (1989) . Music in the landlord's estate. Military orchestras. History of Ukrainian music in six volumes. (Vols. 1). Kyiv: Naukova Dumka. pp. 343-352 [in Ukrainian].
Downloads
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).