Stage Word in Hollywood Cinematography of the 40's and 50's in the Noir Genre

Abstract

The purpose of the article is to study the stage word, in particular its intonation component in acting works of the 40s and 50s in the noir genre, as well as the influence of the US ideology on cinematography of that period. The research methodology consists in the application of the method of historical retrospection, which is used to analyse the stage word in acting works in Hollywood cinematography of the 40s and 50s in the noir genre; the culturological method is used to study the influence of the US ideology of the 40s and 50s on the sociocultural environment through the stage word; the using of the method of role analysis makes it possible to analyse the work of actors on the speaking component of the roles created in the 40s and 50s in the noir genre. The scientific novelty is that, for the first time, a comprehensive study of the features of stage speech in acting works of the 40s and 50s in the noir genre was conducted, as well as their dependence on the current ideology of the US government. Conclusions. The intonation component of acting works, in particular male and female images in Hollywood cinema of the 40s and 50s in the noir genre, is considered. The influence of the US ideology on the artistic and aesthetic component of Hollywood cinematography, in particular on the stage word, is revealed. The features of the intonation image of the femme fatale in Hollywood cinematography in the noir genre are considered. The features of the intonation portrait of antagonists and protagonists in the Hollywood cinematography of the 40s and 50s of the noir genre are analysed.