Musical aesthetics new time of influence on native language national music
DOI:
https://doi.org/10.32461/2226-3209.1.2013.137246Keywords:
national music, national language, musical rhetoric, theory of imitation, intonation.Abstract
The article describes the origin and development of the idea that the national language can influence music. Its origins are connected with the general musical and aesthetic mode of the 18th century. The intonational linguistic approach to understanding the concept of "national" in music loses its importance in the Romantic aesthetics due to the decline of musical rhetoric, absolutization of music and preeminence that the folklore obtains as the main criterion of the national spirit in music.
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