I. Sollertinskij and ballet theater 20-30-ies. XX century

Abstract

Purpose of Research is to reveal the conceptual approaches of I. Sollertinskij to the development of ballet theater in the USSR in the 1920s and 1930s XX century. Methodology. The use of a set of scientific methods, in particular the analysis of historiography, comparison, induction, made it possible to conduct a scientifically objective study. Scientific novelt. For the first time, the features of the research optics of I. Sollertinskij were revealed in relation to the development of ballet theater in the USSR in the 20-30s. XX century. Conclusions. The staging of the theater proponent before the history of the ballet masterpiece, zokrem in the 20-30s. XX century in the SRSR, zoomed with ideological dogmas and the current sociological methodology. Among the main strategies for the development of a choreographic mystery (behind I. Sollertinskij) is the retention of the classical dance like a post-ideological mystery dance, but you cannot please the form of a new radiant people, you can’t get stuck in a cultural life; the list of academic ballet performances by M. Petipa through the persistence of mystets; class orientation to ballet (the proletariat is the main character on the stage and the audience); The change is that of the whistle. Doslidnitska optics I. Sollertinskij will be told about his affiliation to the sociological school of art, which will later be included in the "vulgar sociology". On the basis of ideology, pratsi І. Sollertinskij went to the golden fund of ballet studies.