The Developing of the Teacher’s Creativity by Using Authentic Material at Lessons
DOI:
https://doi.org/10.32626/2227-6246.2021-52.182-203Keywords:
teacher’s creativity, authentic material, creative activity, frustration, incubation stage, insight in the creative activity, finding a solutionAbstract
The aim of our research is: to show the meaning of proverbs as the notion of authenticity of materials, which may include: the establishment of phenomena and properties; their evaluation; a prescription, a rule, etc. By the help of this material the purpose of our research is to provide the developing of the teacher’s creativity by using authentic material at the lessons.
The following theoretical methods of the research were used to solve the tasks formulated in the article: a categorical method, structural and functional methods, the methods of the analysis, systematization, modeling, generalization.
The results of the research. We think that for the developing of the teacher’s creativity by using authentic material at the lessons the main approach has to be the procedural one. This approach defines creative activity as a purely internal process based on human ideas, and as a result of the existence of such ideas should stimulate creative activity, should be in its «external form», through which it will be able to be perceived by other people.
Conclusions. In such a way we singled out the levels of creative activity and proposed to consider this activity according to two main positions: as a process that takes place at a certain point in time, and as a process in its broad social and historical contexts. We also have to underline the main characteristics of the creative process: creativity is characterized as an idiosyncratic, unpredictable process. It is characterized by inconsistency and randomness. In the creative process we can identify the following main stages: 1. The preparation for creative process. This stage is directly related to a desire of the subject of creative activity to change the existing social situation, which for some reason has ceased to satisfy the person. 2. Frustration in the process of providing the creative activity. The transition to this stage occurs at a time when, after analyzing all the information, as well as working out all the options for solving the problem, the subject of creativity, however, does not find the means and ways to solve the task. 3. Incubation in a creative activity. The incubation stage involves the unconscious solution of the problem by a person, during which the left hemisphere of the brain is activated. 4. The insight in the creative activity. The insight is a short, but quite emotional stage of the creative process, the moment of entering the sphere of consciousness of the decision to solve the problem. This stage is characterized by violent positive emotions, recovery, and sometimes even euphoria. 5. Finding a solution. Finding a solution as a result of verification of hypotheses is a final stage of the creative process, during which the truth is verified using logical means, and the intrigue of this stage is a great possibility of erroneous verification of formulated hypotheses.
References
Honcharuk, Nataliia, & Onufriieva, Liana (2018). Psykholohichnyi analiz rivniv pobudovy komunikatyvnykh dii [Psychological analysis of levels of communicative actions’ constructing]. Psykholinhvistyka. Psikholingvistika. Psycholinguistics: Zb. nauk. prats DVNZ «Pereiaslav-Khmelnytskyi ped. un-t imeni Hryhoriia Skovorody» – Psycholinguistics. Psycholinguistics. Psycholinguistics: Collection of Scientific Papers of the Pereiaslav-Khmelnytskyi Hryhorii Skovoroda State Pedagogical University, 24 (1), 97–117. Pereiaslav-Khmelnytskyi : FOP Dombrovska Ya. M. DOI 10.31470/2309-1797-2018-24-1-97-117 [in Ukrainian].
Amabile, T. M., Conti, H., Lazenby, J., & Herron, M. (1996). Creative environment at work. The Academy of Management Journal, 36, 1154–1184.
Amabile, Т. М. (1983). The social psychology of creativity. New York : Springer-Verlag.
Boden, M. A. (1991). The creative mind: myths and mechanisms. New York : Basic Books; London : Abacus.
Collins, M. A., & Amabile, T. M. (1999). Motivation and creativity. Hand¬book of Creativity, (pp. 297–313). R. Sternberg (Ed.). Cambridge.
Ekvall, G. (1997). Organizational conditionals and levels of creativity. Creativity and innovation management, 6, 195–205.
Enkvist, N. E. (1990). Literary Pragmatics: On the Interpretability of Texts in General, and Literary Texts in Particular. R. D. Sell (Ed.). New York; London : Longman.
Gehrmann, S. (2015). Bildungskonzepte und Lehrerbildung in europäischer Perspektive. Münster; New York : Waxmann [in German].
Mykhalchuk, Nataliia, & Ivashkevych, Eduard (2018). Psycholinguistic features of the development of social intelligence of the teacher. Psykholinhvistyka. Psikholingvistika. Psycholinguistics: Zb. nauk. prats DVNZ «Pereiaslav-Khmelnytskyi ped. un-t imeni Hryhoriia Skovorody» – Psycholinguistics. Psycholinguistics. Psycholinguistics: Collection of Scientific Papers of Pereiaslav-Khmelnytskyi Hryhorii Skovoroda State Pedagogical University, 23 (1), 242–257. Pereiaslav-Khmelnytskyi : FOP Dombrovska Ya. M. DOI https://doi.org/10.5281/zenodo.1211618 (ISSN 2415-3397, Index Copernicus, Web of Science).
Mykhalchuk, Nataliia, & Kryshevych, Olga (2019). The peculiarities of the perception and understanding of Sonnets written by W. Shakespeare by the students of the Faculty of Foreign Languages. Psycholinguistics. Psykholinhvistyka. Psikholingvistika: Zb. nauk. prats DVNZ «Pereiaslav-Khmelnytskyi ped. un-t imeni Hryhoriia Skovorody» – Psycholinguistics. Psycholinguistics. Psycholinguistics: Collection of Scientific Papers of Pereiaslav-Khmelnytskyi Hryhorii Skovoroda State Pedagogical University, 26 (1), 265–285. Pereiaslav-Khmelnytskyi : FOP Dombrovska Ya. M. DOI 10.31470/2309-1797-2019-26-1-265-285.
Zubiashvily, I., Kocharian, A., Lunov, V., Barinova, N., & Onufriieva, L. (2020). Phenomenon of money: Social and psychological essence and functions. International Journal of Psychosocial Rehabilitation, 24 (3), 1629–1642. DOI 10.37200/IJPR/V24I3/PR200911.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Nabochuk Alexander
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright
The Editorial Board has the full right to publish original scientific papers containing results of theoretical and experimental research works which are not currently subject to review for publication in other scientific editions. The Author shall transfer to the editorial board of the Collection the right to spread the electronic version of the paper, as well as the electronic version of the paper translated into English (for papers originally submitted in Ukrainian and Russian) by all kinds of electronic means (placement at the official website of the Collection, electronic databases, repositories etc).
The Author of an article reserves the right to use materials of the paper, without approval with the editorial board and the founders of this Collection: a) partially or fully, for educational purposes; b) for writing own dissertation papers; c) for preparation of abstracts, conference reports and presentations.
The Author of an article can place electronic copies of the paper (including the final electronic version downloaded from the official website of the Collection) at:
- personal web resources of all Authors (websites, webpages, blogs etc.);
- web resources of the institutions where the Authors are employed (including electronic institutional repositories);
- non-profit public access web resources (for example, arXiv.org).
But in all cases, it is obligatory to have a bibliographic reference to the paper, or a hyperlink to its electronic copy placed at the official website of this Collection.