Construction of a simulation model for calculating the labor intensity of the pre-print process of manufacturing books with audio accompanying

Authors

DOI:

https://doi.org/10.15587/1729-4061.2022.267797

Keywords:

simulation model, complexity of preprint process, audio accompaniment, font capacity, recording speed

Abstract

The object of research is preprint processes for the manufacture of audiobooks. The analytical and experimental studies reported here are based on the application of the methodology for devising a simulation model for calculating the complexity of preprint processes in the production of printed books with sound applications. The basic assumption of the study is that the use of simulation will contribute to the improvement of calculations of the complexity of preprint processes for making audiobooks. This cannot be achieved without analyzing the factors influencing the convenience of perception of textual and sound information and establishing the objective function of mutual influence of the text of the publication and audio. A methodology has been proposed for calculating the complexity of the preprint process of making audiobooks based on the developed algorithm of the technological process, mathematical representation of the structural model, as well as its components. It is shown that the process of creating audio accompaniment is affected by the content of printed pages, font design parameters, the selected format of page assembly, and the presence of illustrations. Based on the obtained expert assessments, a hierarchical representation of factors influencing the convenience of information perception is built; the interaction of parameters at different technological stages is described. The dependence of the complexity of the process of making audiobooks on the volume of the book edition in the accounting and publishing sheets, the size and capacity of the font, as well as the speed of sound recording of the printed text, has been established. It is determined that with an increase in font capacity within 200...1000 thousand characters, the calculated labor intensity increases by 5 % to 20 %. The largest limits of changes in the complexity of creating an audio accompaniment are 9 %, at the stage of processing graphic information – 50 %

Author Biographies

Tetiana Horova, National Technical University of Ukraine «Igor Sikorsky Kyiv Polytechnic Institute»

Postgraduate Student

Department of Reprography

Educational and Scientific Publishing and Printing Institute

Oleksandr Paliukh, National Technical University of Ukraine «Igor Sikorsky Kyiv Polytechnic Institute»

Doctor of Technical Sciences, Professor, Head of Department

Department of Reprography

Educational and Scientific Publishing and Printing Institute

Yaroslav Zorenko, National Technical University of Ukraine «Igor Sikorsky Kyiv Polytechnic Institute»

PhD, Associate Professor, Deputy Director

Educational and Scientific Publishing and Printing Institute

Volodymir Oliinyk, National Technical University of Ukraine «Igor Sikorsky Kyiv Polytechnic Institute»

PhD, Associate Professor

Department of Technology of Printing Production

Educational and Scientific Publishing and Printing Institute

References

  1. Tatarinova, L. (2020). Deiaki tendentsiyi rozvytku knyhodrukuvannia u providnykh krainakh svitu. Knyzhkova palata. Ukrainska asotsiatsiya vydavtsiv ta knyho rozpovsiudzhuvachiv. Available at: http://www.upba.org.ua/index.php/uk/zakonodavstvo/knyzhkova-palata/item/121-deiaki-tendentsii
  2. Sichevska, O., Senkivskyy, V., Babichev, S., Khamula, O. (2019). Information Technology of Forming the Quality of Art and Technical Design of Books. Proceedings of the 1st International Workshop on Digital Content & Smart Multimedia (DCSMart 2019). Lviv. Available at: http://ceur-ws.org/Vol-2533/invited5.pdf
  3. Have, I., Pedersen, B. S. (2019). The audiobook circuit in digital publishing: Voicing the silent revolution. New Media & Society, 22 (3), 409–428. doi: https://doi.org/10.1177/1461444819863407
  4. Shamsi, M., Barbot, N., Lolive, D., Chevelu, J. (2020). Mixing Synthetic and Recorded Signals for Audio-Book Generation. Lecture Notes in Computer Science, 479–489. doi: https://doi.org/10.1007/978-3-030-60276-5_46
  5. Nazarkevych, M. A., Storozh, O. V., Kliuinyk, I. I. (2015). Osoblyvosti rozroblennia interaktyvnykh elektronnykh knyh. Visnyk Natsionalnoho universytetu "Lvivska politekhnika". Seriya: Informatsiyni systemy ta merezhi, 832, 332–347. Available at: https://ena.lpnu.ua/items/bd1f653b-3a23-4278-a1d5-b8aee0fd37f0
  6. Zheliezniak, S. (2019). Specificity of audiovisual culture in multimedia space: sound aspect. Culture and arts in the modern world, 20, 238–248. doi: https://doi.org/10.31866/2410-1915.20.2019.172449
  7. Sarasa-Cabezuelo, A. (2020). A Model for Creating Interactive eBooks for eLearning. Future Internet, 12 (12), 223. doi: https://doi.org/10.3390/fi12120223
  8. Paper Books vs eBooks Statistics, Trends and Facts [2022]. Available at: https://www.tonerbuzz.com/blog/paper-books-vs-ebooks-statistics/
  9. Steinhaeusser, S. C., Schaper, P., Lugrin, B. (2021). Comparing a Robotic Storyteller versus Audio Book with Integration of Sound Effects and Background Music. Companion of the 2021 ACM/IEEE International Conference on Human-Robot Interaction. doi: https://doi.org/10.1145/3434074.3447186
  10. Kruse, L. C., Purao, S., Seidel, S. (2022). How Designers Use Design Principles: Design Behaviors and Application Modes. Journal of the Association for Information Systems, 23 (5), 1235–1270. doi: https://doi.org/10.17705/1jais.00759
  11. Morais, B. (2011). Books With Soundtracks: The Future of Reading? The Atlantic. Available at: https://www.theatlantic.com/entertainment/archive/2011/08/books-with-soundtracks-the-future-of-reading/244344/
  12. Sharma, K. (2017). A review on role and benefits of digitalization in printing industry. International Journal of Information Movement, 2 (IV), 10–15. Available at: http://www.ijim.in/wp-content/uploads/2017/08/Vol-2-Issue-IV-10-15-paper-2-Kanchan-Sharma-A-Review-on-Role-and-Benefits-of-Digitalization-in-Printing-Industry.pdf
  13. Zhenchenko, M. (2020). Technologies for the layout of interactive electronic editions. Obriyi drukarstva, 1 (8) , 42–55. Available at: https://www.researchgate.net/publication/338719964
  14. Kolesnyk, N. Ye. (2020). Web-dyzain multymediynoi knyhy: teoriya i praktyka. Zhytomyr: TOV "505", 180. Available at: http://eprints.zu.edu.ua/31340/1/web_2020.pdf
  15. Durniak, B. V., Babynets, Ye. D. (2011). Sposoby rozshyrennia modeli vzaiemozviazku mizh parametramy knyzhky ta spozhivacha informatsiynymy komponentamy. Zbirnyk naukovykh prats Instytutu problem modeliuvannia v enerhetytsi im. H. Ye. Pukhova NAN Ukrainy, 59, 29–37. Available at: http://dspace.nbuv.gov.ua/handle/123456789/28507
  16. Tusmagambet, B. (2020). Effects of Audiobooks on EFL Learners’ Reading Development: Focus on Fluency and Motivation. English Teaching, 75 (2), 41–67. doi: https://doi.org/10.15858/engtea.75.2.202006.41
  17. Pobidash, I., Rozhanska, V., Figol, N. (2018). Market of online books in Ukraine. Obriyi drukarstva, 1 (6) , 160–169. Available at: https://ela.kpi.ua/bitstream/123456789/34243/1/OD-2018-6_160-169.pdf
  18. Khramova-Baranova, E. L., Sikora, Yu. А. (2017). Design of interactive children's books and its influence on the development of preschool education and culture in Ukraine. Humanitarnyi visnyk, 27 (11), 46–54. Available at: https://er.chdtu.edu.ua/bitstream/ChSTU/1933/1/7.pdf
  19. Yefimova, M. P. (2015). Vydavnytstva dytiachoi knyhy v Ukraini: novitni vydavnychi tekhnolohiyi. Teoriya ta praktyka dyzainu, 7, 53–60.
  20. Snelling, M. (2021). The Audiobook Market and Its Adaptation to Cultural Changes. Publishing Research Quarterly, 37 (4), 642–656. doi: https://doi.org/10.1007/s12109-021-09838-1
  21. Boström, P., Björkqvist, J. (2012). Optimisation-based black-box testing of assertions in Simulink models. TUCS Technical Report No 711. Available at: https://www.researchgate.net/publication/31595954
  22. Slobodan, S., Imre, K., Damjan, S., Nenad, J. (2014). Analysis of technological process of cutting logs using Ishikawa diagram. Acta Technica Corviniensis - Bulletin of Engineering; Hunedoara, 7 (4), 93–98. Available at: https://www.proquest.com/docview/1618069477
  23. Kulchytska, Kh. B., Predko, L. S. (2018). Zastosuvannia metodu analizu ierarkhiy pry vybori proektu v polihrafiyi. Polihrafiya i vydavnycha sprava /Printing and publishing, 1 (75), 51–59. Available at: http://pvs.uad.lviv.ua/static/media/1-75/7.pdf
  24. Flesch, R. (1948). A new readability yardstick. Journal of Applied Psychology, 32 (3), 221–233. doi: https://doi.org/10.1037/h0057532
  25. Hahn, B. H., Valentine, D. T. (2017). Essential MATLAB for Engineers and Scientists. Academic Press. doi: https://doi.org/10.1016/c2015-0-02182-7
  26. Giannakopoulos, T., Pikrakis, A. (2014). Introduction to Audio Analysis: A MATLAB® Approach. Academic Press. doi: https://doi.org/10.1016/C2012-0-03524-7
Construction of a simulation model for calculating the labor intensity of the pre-print process to manufacture audiobooks

Downloads

Published

2022-12-30

How to Cite

Horova, T., Paliukh, O., Zorenko, Y., & Oliinyk, V. (2022). Construction of a simulation model for calculating the labor intensity of the pre-print process of manufacturing books with audio accompanying. Eastern-European Journal of Enterprise Technologies, 6(1 (120), 70–82. https://doi.org/10.15587/1729-4061.2022.267797

Issue

Vol. 6 No. 1 (120) (2022): Engineering technological systems

Section

Engineering technological systems

License

Copyright (c) 2022 Tetiana Horova, Oleksandr Paliukh, Yaroslav Zorenko, Volodymir Oliinyk

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The consolidation and conditions for the transfer of copyright (identification of authorship) is carried out in the License Agreement. In particular, the authors reserve the right to the authorship of their manuscript and transfer the first publication of this work to the journal under the terms of the Creative Commons CC BY license. At the same time, they have the right to conclude on their own additional agreements concerning the non-exclusive distribution of the work in the form in which it was published by this journal, but provided that the link to the first publication of the article in this journal is preserved.

A license agreement is a document in which the author warrants that he/she owns all copyright for the work (manuscript, article, etc.).
The authors, signing the License Agreement with TECHNOLOGY CENTER PC, have all rights to the further use of their work, provided that they link to our edition in which the work was published.
According to the terms of the License Agreement, the Publisher TECHNOLOGY CENTER PC does not take away your copyrights and receives permission from the authors to use and dissemination of the publication through the world's scientific resources (own electronic resources, scientometric databases, repositories, libraries, etc.).
In the absence of a signed License Agreement or in the absence of this agreement of identifiers allowing to identify the identity of the author, the editors have no right to work with the manuscript.
It is important to remember that there is another type of agreement between authors and publishers – when copyright is transferred from the authors to the publisher. In this case, the authors lose ownership of their work and may not use it in any way.