Methods scenographic decision fine space in easel creativity of Tischler
DOI:
https://doi.org/10.32461/2226-3209.2.2013.137377Keywords:
Alexander Tyshler, easel painting, pictorial space, theatrical elements, stage design, artistic imageAbstract
The article is focused on the disclosure the origins and specificity of Alexander Tyshler’s perception of the pictorial plane by way of scenic space and identification the features of the artistic interpretation of theatrical elements and scenographic methods in artist’s easel art. Particular attention is paid to the stage construction plastic motive as one of the most important structural and symbolic component of theatrical space.
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