THE COMPOSER’S CREATIVITY OF M.K. CHURLONIS AND I.V. TYLYK: THE SYSTEMACY OF MUSICAL THINKING IN THE CONTEXT OF THE PRINCIPLE OF THE PHENOMENOLOGICAL SIMILARITY

Authors

  • Oksana Uzikova a degree candidate of Kyiv National university of culture and art, Ukraine

DOI:

https://doi.org/10.32461/2226-3209.1.2015.138354

Keywords:

systemacy, musical thinking, principles of phenomenological similarities, cosmism, theurgy, the language of music, composer creativity

Abstract

The article is devoted to the analysis of the composer’s creativity of M. K. Churlonis and I. V. Tylyk in the context of the principle of the phenomenological similarity. The article covers the features of philosophical world outlook, image-associative perception and spiritual spheres of musical thinking of the composers. The article characterises the artistic and philosophical trend cosmism as a conceptual implementation of composers’ attitude and outlook. It investigates the semantic parallels in theurgical aspect in the works of M.K. Chiurlionis and I.V. Tylyk as a manifestation of virtual communication with supreme cosmic mind. The article considers the features of the musical language of the composers. It analyzes the works of M.K. Chiurlionis ("Our Father", "De profundis") and I.V. Tylyk (triptych "Under the Sign of Eternity", "Prayer", "Repentance. Open the door for me Giver of Life"), which are marked with the plot and thematic similarity of spiritual love to the Divine Creator.

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Published

2016-08-25

Issue

No. 1 (2015)

Section

Articles

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