PRECONDITIONS OF ORIGIN OF CREATION WORK FOR BAYAN (late XIX – mid-twentieth century)

Authors

  • Bohdan Kislyak Post-graduate student of Lviv Music Academy named after N. Lysenko, Ukraine

DOI:

https://doi.org/10.32461/2226-3209.2.2017.138649

Keywords:

representatives, folk music, ensemble, bayan-instrumental genre

Abstract

The purpose of the article is to identify the main stages of the origin of the works for bayan. Method of integral analysis of chamber of chamber-bayan genre as well as historically-style and comparative methods. Scientific novelty of the work is as follows: for the first time in domestic musicology successive historical concept of development of bayan historical culture and chamber ensemble is brought up and basic directions of evolution of bayan-instrumental genre is determined, brief characteristics of main stages of this process and their art attributes is given, instrumental semantics of bayan-ensemble genres is revealed. Conclusions. Thus bayan art is a unique example of quick change of instrument "cultural image". In front of two or three generations, it rose from the "symbol" of folk festivals and club amateur performances to the image of "academic" instrument suitable to perform the repertoire of world music classics.

Downloads

Published

2017-11-10

Issue

No. 2 (2017)

Section

Articles

License

Authors who publish with this journal agree to the following terms:

1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).