SYNAESTHESIA AS A SPECIFIC QUALITY OF PROFESSIONAL ALGORITHM OF MUSICAL ARTIST

Abstract

The purpose of the article is to reveal the specific features of the synaesthesia of the artist of musical as a creative ability, and its role in the implementation of the professional artistic process in the musical genre. Methodology of the study is transpersonal humanistic psychology and its musicological branches: psychology of art, psychology of the creative process and psychology of musical thinking. The analysis of cultural and aesthetic research devoted to the con- cept of "synaesthesia" is also used. Scientific novelty of the research consists in analyzing of the specificity of synaes- thesia as a projection of the intonational pitch on the professional algorithm of an artist of a musical, in analyzing the ability of the musical artist to synaesthesia as a special characteristic inherent in his/her creative apparatus and stipulated by his/her partial abilities. Conclusions of the research consist in substantiating of the understanding of the synesthesia of the artist of the musical as a special psychological and psychological characteristic of the professional creative process of the artist, which reveals the partial abilities of the artist and realizes the triune nature of his talent, acts as a harmoniza- tion mechanism of artistic expressive means within the character-image as well as a technique of achievement of the musical and intonational resonance of the character-image.