The phenomenon of ethno-cultural interactions in the guitar music of Dusan Bogdanovic: "Six Balkan miniatures"
DOI:
https://doi.org/10.32461/2226-3209.4.2017.138817Keywords:
Balkan guitar music, creativity of D. Bogdanovic, "Six Balkan miniatures", ethno-cultural interactions.Abstract
The purpose of the work. The article reveals the linguistic and genre specificity of ethno-cultural interactions of the folklore origins of Balkan music through the example of Dusan Bogdanovic's guitar cycle "Six Balkan miniatures". The research methodology is based on the use of phenomenological, comparative and structural-functional methods that allow expanding the horizon of cognitive search and extract key characteristics of the studying phenomena. The scientific novelty of the study lies in the phenomenological approach to analyzing the guitar cycle of Dusan Bogdanovic. This approach is productive for studying the wide contextual relationships, developed in the context of the musical historical ethno- genesis of the Balkan cultural region. Conclusions. The convergent connections of the Slavic and Middle Eastern
traditions (Serbian, Bulgarian, Croatian, Macedonian, Bosnian, and Turkish) were revealed in the music of the guitar cycle "Six Balkan miniatures" by Dusan Bogdanovic. They are expressed by folk genres (Bulgarian kopanitsa, Serbian vranyanka, Macedonian paydushko), asymmetric metrics and irregular rhythm (aksak), by mixing elements of hemiolic frets of European and Middle Eastern origin.
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