Music in the Age of Viral Communication

Authors

  • Eugen Kushch

DOI:

https://doi.org/10.32461/2226-3209.4.2017.138825

Keywords:

media, media virus, memetics, implosion, affordance, ringtone.

Abstract

Purpose of Article. The purpose of the article is to reveal implosive effects of instant communication in modern musical and paramusical forms. Methodology. Methodological principles, used by the author, involve general scientific methods; musical analysis; microsociology (analysis of affordance and inscriptions); polemical and introspective
approaches also took place. Scientific novelty. The author identifies viral markers of modern musical forms; musical communication interpreted as the dialectic of affordance and inscriptions of media; ringtone is researched as the intonational practice of instant communication. Conclusions. Problematization of the viral topic in the information field of
culture allows to reach new frontiers of conceptualizing media virus as purely singular sense, effect of surface, that is free from any meaning; that appears as the result of "insane becoming", when elimination of time and space discriminates the process of signification as a function of distance between signifier and signified. Music, as the least of
all the figurative arts (therefore most prone to nonsense and paradox) and as a narrative art, predictably experiencing extremely intense influence of the situation of "instant communication", which leads the world today. The author attempts to apply the ideas of dromology (Paul Virilio) to the plane of memetics in the context of contemporary music and communication strategies. The global crisis of attention and the "channel switch syndrome" lead the appearance of compact musical and paramusical forms, which are considered as the result of the prominent strategy, as the main viral marker. These forms include ringtones, jingles, audio logos. A key role in the formation of these phenomena belongs to
the musical shift from live to private forms, resulting in the situation of "involuntary attention" of concert hall has been superseded by a total nonlinearity of personal media. Explosive anti-narrative activity of the viral musical forms leads to
the development of new strategies of the "unhurried" practices that try to slow down time.

Downloads

Published

2018-05-11

Issue

Section

Articles