The concept of "Contemporary Dance": cultural, philosophical, and artistic approaches

Abstract

The purpose of the article is to analyze and systematize approaches to the definition of the concept of "contemporary dance". Methodology. The research methodology is based on the analysis of scientific sources related to the topic, approaches to the interpretation of the concept of "Contemporary Dance", using terminological and historical methods. Scientific novelty. For the first time, the main approaches to the definition of contemporary dance are revealed and its characteristic features are revealed. Conclusions. Contemporary dance has taken a prominent place among the directions of choreographic art, has a wide circle of admirers, is recognized as a stage phenomenon and cultural and artistic practice. Currently, there is a wide range of approaches to understanding contemporary dance, which leads to terminological differences in scientific works. Among the main positions in contemporary dance, one can single out its consideration as an avant-garde form of choreographic art that evolved from modern dance; as a dramatic virtuoso dance originating from ballet and jazz; as an intellectual dance that originated in Europe and America, based on various techniques and techniques, it is perceived as a tool for the development of the dancer's body. We adhere to the position that contemporary dance is a direction of choreographic art that arose in the late XX – early XXI centuries in Europe and America, based on techniques and techniques that act as tools for the development of the body, the formation of awareness and the individual choreographic language of the dancer.

Keywords: contemporary dance, contemporary culture, choreography, contemporary dance, terminological approach.