Dialectical unity of two super-tasks in the context of the problem of reincarnation

Abstract

The purpose of the article is to try to determine the nature of the interrelationships between two supertasks - an actor and a role - in the process of an actor's creativity, based on an analysis of the essence of the problem of reincarnation in the art of an actor from the Stanislavsky school. The research methodology is based on analytical, general logical and comparatively typological methods, which make it possible to comprehend in an unconventional way the concept of the dialectical unity of two super-tasks in the process of an actor's creativity in the context of the problems of reincarnation. The subject of this research is the basic concepts of the world-famous "system" of KS Stanislavsky. The scientific novelty lies in the fact that the theory of acting has never resorted to analyzing the dialectics of the relationship between two supertasks - the actor and the role - in the context of the problem of reincarnation. Its interpretation by the Stanislavsky school confirms the idea of ​​dialectical interaction of two super-tasks in a single creative process. Conclusions. In an artistically completed acting performance, we always deal with the presence of both the supertask of the actor himself, performing a certain role, and the supertask of the role (the actor). Despite their multidirectional nature, they nevertheless constitute a dialectically inseparable whole, transforming the process of reincarnation into a highly artistic act of creativity.