Formation of the creative personality of Bogdan Stupka as a master of the Ukrainian theater
DOI:
https://doi.org/10.32461/2226-3209.1.2022.257725Abstract
The purpose of the article is to characterize the features of the formation and formation of the creative personality of B. Stupka through the prism of trends in the development of Ukrainian theatrical art and to determine the foundations and achievements of the actor's performing skills. The research methodology consists of the use of typological, empirical, art criticism, analytical, axiomatic methods of researching the concept of the professional activity of the stage master, its initial period and stage development and, analyzing the main features of B. Stupka's acting skills, her specific features in the process of working on the image, key criteria the aesthetic value of reproducing the character of the production. The scientific novelty of the research lies in the systematization of B. Stupka's creative achievements at the beginning of his stage activity and subsequent professional achievements, which formed the fundamental basis of his high stage skills. Conclusions. As a result of the analysis of the study, it can be concluded that formed during the work in the collective of the Lviv Theater. Maria Zankovetskaya, the features of the creative style of Bogdan Stupka received significant development on the stage of the Kyiv Drama Theater. Ivan Franko, largely thanks to close cooperation with S. Danchenko, who not only contributed to the creation of a unique repertoire, consisting of works of serious domestic and world drama, but also a specific creative atmosphere in which the actor gets all the opportunities for a deep interpretation of the image of his character and its disclosure.
Key words: Stupka Bohdan, theater, actor, acting skills.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).